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- Hard Rock (110)
- US/Canadian Folk Rock & Singers-Songwrit (103)
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- Blues-Rock (69)
- UK Blues Rock/Acid Blues (67)
10cc - The Original Soundtrack (remastered W/2 Bonus Tracks)
10cc's third album, The Original Soundtrack, finally scored them a major hit in the United States, and rightly so; "I'm Not in Love" walked a fine line between self-pity and self-parody with its weepy tale of a boy who isn't in love (really!), and the marvelously lush production and breathy vocals allowed the tune to work beautifully either as a sly joke or at face value. The album's opener, "Une Nuit a Paris," was nearly as marvelous; a sly and often hilarious extended parody of both cinematic stereotypes of life and love in France and overblown European pop. And side one's closer, "Blackmail," was a witty tale of sex and extortion gone wrong, with a superb guitar solo embroidering the ride-out. That's all on side one; side two, however, is a bit spottier, with two undistinguished tunes, "Brand New Day" and "Flying Junk," nearly dragging the proceedings to a halt before the band rallied the troops for a happy ending with the hilarious "The Film of Our Love." The Original Soundtrack's best moments rank with the finest work 10cc ever released; however, at the same time it also displayed what was to become their Achilles' heel -- the inability to make an entire album as strong and memorable as those moments.
10cc's third album, The Original Soundtrack, finally scored them a major hit in the United States, and rightly so; "I'm Not in Love" walked a fine line between self-pity and self-parody with its weepy tale of a boy who isn't in love (really!), and the marvelously lush production and breathy vocals allowed the tune to work beautifully either as a sly joke or at face value. The album's opener, "Une Nuit a Paris," was nearly as marvelous; a sly and often hilarious extended parody of both cinematic stereotypes of life and love in France and overblown European pop. And side one's closer, "Blackmail," was a witty tale of sex and extortion gone wrong, with a superb guitar solo embroidering the ride-out. That's all on side one; side two, however, is a bit spottier, with two undistinguished tunes, "Brand New Day" and "Flying Junk," nearly dragging the proceedings to a halt before the band rallied the troops for a happy ending with the hilarious "The Film of Our Love." The Original Soundtrack's best moments rank with the finest work 10cc ever released; however, at the same time it also displayed what was to become their Achilles' heel -- the inability to make an entire album as strong and memorable as those moments.
₪49.00
Aardvark - Aardvark (remastered Esoteric Edition Of 1970 Album)
NEW REMASTERED EDITION D FROM THE ORIGINAL MASTER TAPES OF THE 1970 ALBUM BY PROGRESSIVE ROCK GROUP AARDVARK, ORIGINALLY RELEASED ON THE DERAM NOVA LABEL.
* BOOKLET WITH FULLY RESTORED ARTWORK & ESSAY.
The band were an imaginative quartet comprising DAVID SKILLIN on Vocals, STEVE MILLINER on keyboards, STAN ALDOUS on Bass and FRANK CLARK on drums who came together in 1969. Driven by Steve Milliner's keyboard playing ability, Aardvark's only album was released in 1970 on Decca's short lived progressive imprint DERAM NOVA.
One of the best albums released on NOVA, "Aardvark" features such outstanding pieces as the evocative `ONCE UPON A HILL', `MANY THINGS TO DO' and the powerful album closing track; `PUT THAT IN YOUR PIPE AND SMOKE IT'.
A Truly Amazing LP from start to finish. it starts off with the song "Copper Sunset" a Hammond heavy groovy riff based tune, this type of stuff carries on through the cd until track 6 "The Outing - Yes", which starts off as an annoying little pop ditty (a'la Giles & fripp)before turning into a psychotic electro Hammond weirdo freak-out improv. The next song "Once Upon A Hill" is a nice quiet refrain obviously influenced by traditional English folk songs (Scarborough Fair, greensleeves). The Last track on the cd is "Put That In Your Pipe & Smoke It" which finishes this U.K. Prog Gem off nicely with another crazy freak-out improvisation. So if you like the sound of it and have a spare £70 to £100 go out and buy it on vinyl if not the cd is certainly a more viable option....(R. goldie)
NEW REMASTERED EDITION D FROM THE ORIGINAL MASTER TAPES OF THE 1970 ALBUM BY PROGRESSIVE ROCK GROUP AARDVARK, ORIGINALLY RELEASED ON THE DERAM NOVA LABEL.
* BOOKLET WITH FULLY RESTORED ARTWORK & ESSAY.
The band were an imaginative quartet comprising DAVID SKILLIN on Vocals, STEVE MILLINER on keyboards, STAN ALDOUS on Bass and FRANK CLARK on drums who came together in 1969. Driven by Steve Milliner's keyboard playing ability, Aardvark's only album was released in 1970 on Decca's short lived progressive imprint DERAM NOVA.
One of the best albums released on NOVA, "Aardvark" features such outstanding pieces as the evocative `ONCE UPON A HILL', `MANY THINGS TO DO' and the powerful album closing track; `PUT THAT IN YOUR PIPE AND SMOKE IT'.
A Truly Amazing LP from start to finish. it starts off with the song "Copper Sunset" a Hammond heavy groovy riff based tune, this type of stuff carries on through the cd until track 6 "The Outing - Yes", which starts off as an annoying little pop ditty (a'la Giles & fripp)before turning into a psychotic electro Hammond weirdo freak-out improv. The next song "Once Upon A Hill" is a nice quiet refrain obviously influenced by traditional English folk songs (Scarborough Fair, greensleeves). The Last track on the cd is "Put That In Your Pipe & Smoke It" which finishes this U.K. Prog Gem off nicely with another crazy freak-out improvisation. So if you like the sound of it and have a spare £70 to £100 go out and buy it on vinyl if not the cd is certainly a more viable option....(R. goldie)
₪79.00
Acollective - Onwards
New discovery and good sound here!
Acollective are Roy Rieck, Idan Rabinovici, Daniel Shoham, Joseph E-Shine, Roy Rabinovici, Emanuel Slonim and Nadav Luzia
Onwards was performed with Sefi Zisling (Trumpet and Flugelhorn) on Whisky Eyes and Goodbye Bad Days, Yair Slutzki (Trombone) on Whisky Eyes, Noa Urbach (Double Bass) on Idiom Autumn and Lewknor Arch and Hadas Gat (Violin and Viola) on Turn to Cry and Lewknor Arch
Music and lyrics by Roy Rieck and Idan Rabinovici
Produced by Mr. Christopher Shaw and Acollective
Recorded by Chris Shaw
Assistant Engineer: Daniel Anglister
Additional Engineering by Beni Tov, Sergey Shkurin and Yoav Naveh
Recorded at Pluto Studios, Tel-Aviv, Israel
Mixed by Chris Shaw
Mastered by Will Quinnel at Sterling Sounds, NY
New discovery and good sound here!
Acollective are Roy Rieck, Idan Rabinovici, Daniel Shoham, Joseph E-Shine, Roy Rabinovici, Emanuel Slonim and Nadav Luzia
Onwards was performed with Sefi Zisling (Trumpet and Flugelhorn) on Whisky Eyes and Goodbye Bad Days, Yair Slutzki (Trombone) on Whisky Eyes, Noa Urbach (Double Bass) on Idiom Autumn and Lewknor Arch and Hadas Gat (Violin and Viola) on Turn to Cry and Lewknor Arch
Music and lyrics by Roy Rieck and Idan Rabinovici
Produced by Mr. Christopher Shaw and Acollective
Recorded by Chris Shaw
Assistant Engineer: Daniel Anglister
Additional Engineering by Beni Tov, Sergey Shkurin and Yoav Naveh
Recorded at Pluto Studios, Tel-Aviv, Israel
Mixed by Chris Shaw
Mastered by Will Quinnel at Sterling Sounds, NY
₪49.00
Aerosmith - Live In Philadelohia 1990 (2cd Set)
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Steven Tyler, Joe Perry and the gang recorded live in Philadelphia in January of 1990 as the toured in support of their hit album Pump. Contains a slew of classic Aerosmith tracks from their '70s heyday right up to the late '80s comeback hits. 20 tracks including 'Janie's Got A Gun', 'Angel', 'Same Old Song And Dance', 'Dream On', 'Dude (Looks Like A Lady)' and many others.
Steven Tyler, Joe Perry and the gang recorded live in Philadelphia in January of 1990 as the toured in support of their hit album Pump. Contains a slew of classic Aerosmith tracks from their '70s heyday right up to the late '80s comeback hits. 20 tracks including 'Janie's Got A Gun', 'Angel', 'Same Old Song And Dance', 'Dream On', 'Dude (Looks Like A Lady)' and many others.
₪69.00
Al Anderson - Al Anderson
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The happy-go-lucky almost Mardi Gras feel of "We'll Make Love," the second track on this 1972 solo disc from the man behind the North East's legendary Wildweeds and their phenomenal Boston-area hit "No Good to Cry" (unfortunately, not on this disc, but an acoustic version might be a perfect addition to a future re-release), carries that distinctive almost gravel voice of Al Andersen. Though he would later join N.R.B.Q., this earthy folk/blues/country platter was recorded between June and September of 1972 and is a wonderful snapshot of an underrated artist at that point in time. "Ain't No Woman Finer" has Jeff Potter's wailing harp that plays off of Andersen's vocal sustain and snappy guitar work. The colorful and uniquely distorted cover photo of Andersen is almost psychedelic country, but there's none of that here. His vocal on "You're Just Laughing Inside" is reminiscent of early Elton John, say the "Amoreena" or "Burn Down the Mission" period. Hank Williams' "Honky Tonkin'" is the shortest track, but one of the liveliest. "Don't Hold the Line" explodes toward the end, and it is one of the few tunes on here that gets really raucous. "I Just Want to Have You Back Again" is a simple two-and-a-half-minute tune - if Jim Croce were more laid-back, he'd probably have sounded like this, melodically it reminds one almost of early Paul McCartney solo - maybe the first McCartney meets Ringo on his Sentimental Journey. The closing title, "I Haven't Got the Strength to Carry On" with Tom Staley's drums and Al Lepak's bass, form a nice framework for Andersen's blues-driven guitar.
Song Title
1. Be My Woman Tonight
2. We'll Make Love
3. Ain't No Woman Finer Lookin'
4. You're Just Laughin' Inside
5. I Don't Believe I'll Stay Here Anymore
6. Honky Tonkin'
7. Goin' On Back To Indiana
8. Don't Hold The Line
9. I Just Want To Have You Back Again
10. I Haven't Got The Strength To Carry On
11. C'mon If You're Comin' - (bonus track)
The happy-go-lucky almost Mardi Gras feel of "We'll Make Love," the second track on this 1972 solo disc from the man behind the North East's legendary Wildweeds and their phenomenal Boston-area hit "No Good to Cry" (unfortunately, not on this disc, but an acoustic version might be a perfect addition to a future re-release), carries that distinctive almost gravel voice of Al Andersen. Though he would later join N.R.B.Q., this earthy folk/blues/country platter was recorded between June and September of 1972 and is a wonderful snapshot of an underrated artist at that point in time. "Ain't No Woman Finer" has Jeff Potter's wailing harp that plays off of Andersen's vocal sustain and snappy guitar work. The colorful and uniquely distorted cover photo of Andersen is almost psychedelic country, but there's none of that here. His vocal on "You're Just Laughing Inside" is reminiscent of early Elton John, say the "Amoreena" or "Burn Down the Mission" period. Hank Williams' "Honky Tonkin'" is the shortest track, but one of the liveliest. "Don't Hold the Line" explodes toward the end, and it is one of the few tunes on here that gets really raucous. "I Just Want to Have You Back Again" is a simple two-and-a-half-minute tune - if Jim Croce were more laid-back, he'd probably have sounded like this, melodically it reminds one almost of early Paul McCartney solo - maybe the first McCartney meets Ringo on his Sentimental Journey. The closing title, "I Haven't Got the Strength to Carry On" with Tom Staley's drums and Al Lepak's bass, form a nice framework for Andersen's blues-driven guitar.
Song Title
1. Be My Woman Tonight
2. We'll Make Love
3. Ain't No Woman Finer Lookin'
4. You're Just Laughin' Inside
5. I Don't Believe I'll Stay Here Anymore
6. Honky Tonkin'
7. Goin' On Back To Indiana
8. Don't Hold The Line
9. I Just Want To Have You Back Again
10. I Haven't Got The Strength To Carry On
11. C'mon If You're Comin' - (bonus track)
₪69.00
Al Kooper - Al's Big Deal / Unclaimed Freight
A two CD set of seventeen titles from the career of the hugely influential artist/producer Al Kooper or his career to 1975! Starting with five titles from the first (and by far the best) by Blood Sweat & Tears and moving onto two from "Super Session" featuring Mike Bloomfield and Steve Stills and a Bob Dylan track from "New Morning". CD2 kicks off with two tracks from the "Live Adventures of Mike Bloomfield and Al Kooper" and a selection of titles from his solo LP's all selected by Al Kooper himself.
A two CD set of seventeen titles from the career of the hugely influential artist/producer Al Kooper or his career to 1975! Starting with five titles from the first (and by far the best) by Blood Sweat & Tears and moving onto two from "Super Session" featuring Mike Bloomfield and Steve Stills and a Bob Dylan track from "New Morning". CD2 kicks off with two tracks from the "Live Adventures of Mike Bloomfield and Al Kooper" and a selection of titles from his solo LP's all selected by Al Kooper himself.
₪109.00
Alan Bown - Listen (remastered 1970 Album)
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Listen was Bowns first album for Island Records released in 1970 and featured the unique vocal talent of ROBERT PALMER. Listen was Palmers final album as vocalist for the band and was a fine set which demonstrated the musical excellence of Bowns group, including future SUPERTRAMP saxophonist JOHN HELLIWELL. This new edition has been remastered from the original master tapes and fully restores the original album artwork.
1. Wanted Man
2. Crash Landing
3. Loosen Up
4. Pyramid
5. Forever
6. Curfew
7. Make Us All Believe
8. Make Up Your Mind
9. Get Yourself Straight
Listen was Bowns first album for Island Records released in 1970 and featured the unique vocal talent of ROBERT PALMER. Listen was Palmers final album as vocalist for the band and was a fine set which demonstrated the musical excellence of Bowns group, including future SUPERTRAMP saxophonist JOHN HELLIWELL. This new edition has been remastered from the original master tapes and fully restores the original album artwork.
1. Wanted Man
2. Crash Landing
3. Loosen Up
4. Pyramid
5. Forever
6. Curfew
7. Make Us All Believe
8. Make Up Your Mind
9. Get Yourself Straight
₪79.00
Alan Price - O Lucky Man! (original Soundtrack)
Superb score from a landmark 70's film!
Alan Price's score for Lindsay Anderson's most ambitious film, "O'Lucky Man", ranks among the finest, and most interesting, of pop scores composed for a feature film. The band itself can be seen in the film performing some of the songs, as well as playing characters in the film. The true testament to the quality of this music is that it not only serves the film beautifully, but stands on its own as a terrific album of songs.
1. O Lucky Man!
2. Poor People
3. Sell Sell
4. Pastoral
5. Arrival
6. Look Over Your Shoulder
7. Justice
8. My Home Town
9. Changes
10. O Lucky Man!
Superb score from a landmark 70's film!
Alan Price's score for Lindsay Anderson's most ambitious film, "O'Lucky Man", ranks among the finest, and most interesting, of pop scores composed for a feature film. The band itself can be seen in the film performing some of the songs, as well as playing characters in the film. The true testament to the quality of this music is that it not only serves the film beautifully, but stands on its own as a terrific album of songs.
1. O Lucky Man!
2. Poor People
3. Sell Sell
4. Pastoral
5. Arrival
6. Look Over Your Shoulder
7. Justice
8. My Home Town
9. Changes
10. O Lucky Man!
₪49.00
Alice Cooper - Killer
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The fact that Alice Cooper's fourth release housed the gritty "Halo of Flies" would be reason enough to buy the CD, even if the rest of it were garbage. An essential piece of the rock canon, it may not have served up the hits that his other releases did, but it still stands as a classic. Loud, brash, sloppy, and hard, it's the kind of listen that makes you check for grime under your nails. Cooper's rock/shock aesthetic was coming into full bloom here and "Dead Babies" shows he was satisfied with his formula of hard rock, bad taste, and images outside the realm of Middle America. The title track hints at the shape of things to come, laying the ground work for works as seemingly disparate as "Only Women Bleed," and "No More Mr. Nice Guy." Briefly ostracized by the "hipper than thou" sect, Killer is one of the reasons Cooper is now fully appreciated as the pioneer that he was -
Steve Gdula
The fact that Alice Cooper's fourth release housed the gritty "Halo of Flies" would be reason enough to buy the CD, even if the rest of it were garbage. An essential piece of the rock canon, it may not have served up the hits that his other releases did, but it still stands as a classic. Loud, brash, sloppy, and hard, it's the kind of listen that makes you check for grime under your nails. Cooper's rock/shock aesthetic was coming into full bloom here and "Dead Babies" shows he was satisfied with his formula of hard rock, bad taste, and images outside the realm of Middle America. The title track hints at the shape of things to come, laying the ground work for works as seemingly disparate as "Only Women Bleed," and "No More Mr. Nice Guy." Briefly ostracized by the "hipper than thou" sect, Killer is one of the reasons Cooper is now fully appreciated as the pioneer that he was -
Steve Gdula
₪49.00
Allman Brothers Band - Eat A Peach
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Released in February 1972, less than four months after Duane Allman's death, EAT A PEACH gathers together the final tracks laid down by the original Allman Brothers Band, the only studio documentation of the short-lived five-man, one-guitar ABB lineup and the remaining performances from the concerts which had yielded the epochal AT FILLMORE EAST album. Far from being a stereotypical posthumous odds and ends collection, however, EAT A PEACH is a treasure trove containing much of the Brothers' best work, and stands right beside FILLMORE at the very apex of their stupendous body of recordings.
Opening with the post-Duane tracks, EAT A PEACH demonstrates from its very first notes that there was - and is - far more to the ABB than one amazing guitarist. Brother Gregg's "Ain't Wastin' Time No More," though written before Duane's crash, is an effective and all-too-poignant rumination on uprushing mortality with excellent playing from the whole quintet. Dickey Betts, tossed into the unenviable position of sole guitar player in rock's most celebrated two-guitar band, more than holds his own here, contributing top-notch picking on every track - most notably his own thunderstorm instrumental, "Les Brers in A Minor," which starts out as a grinding tribute to amplification before morphing into a Santana-esque Latin funk workout liberally spiced with impressive displays of chops all around. "Melissa," a beautiful old ballad co-written by Gregg which the Brothers had first recorded with their previous group the Hourglass, is by contrast epitomally delicate and genuinely moving; Dickey's ethereal lead is a dream.
Next up: thirty-three minutes of "Mountain Jam," longest of the ABB's many long onstage workouts, the Duane-drenched final third of which is at least the equal of anything on FILLMORE and makes me wonder why that album wasn't simply released as a triple, with this LP-length track included, in the first place. Also recorded during the Fillmore East engagement, "One Way Out" and "Trouble No More," which the Brothers had first tackled on their 1969 debut album, are solid blues jams in the classic Allmans vein.
Finally, there are the last three studio tunes featuring Duane, which with fitting irony point to yet more new directions this band might well have explored had it only had the opportunity. "Stand Back," a bouncing number from Gregg, would've been equally at home on IDLEWILD SOUTH; but Dickey's sublime country ballad "Blue Sky," with its brilliant solos from both guitarists, and Duane's only ABB composition, the brief dobro/guitar duet "Little Martha," mine and master new territory and suggest that a more varied range of material, from an expanded group of songwriters, would have kept this band firmly at the front of the pack through all those gigs that might have been.
More than thirty years later, the original ABB's handful of recordings remain one of the great listening experiences to be had anywhere. EAT A PEACH and AT FILLMORE EAST are the very best of the great, which really leaves nothing to say.
Released in February 1972, less than four months after Duane Allman's death, EAT A PEACH gathers together the final tracks laid down by the original Allman Brothers Band, the only studio documentation of the short-lived five-man, one-guitar ABB lineup and the remaining performances from the concerts which had yielded the epochal AT FILLMORE EAST album. Far from being a stereotypical posthumous odds and ends collection, however, EAT A PEACH is a treasure trove containing much of the Brothers' best work, and stands right beside FILLMORE at the very apex of their stupendous body of recordings.
Opening with the post-Duane tracks, EAT A PEACH demonstrates from its very first notes that there was - and is - far more to the ABB than one amazing guitarist. Brother Gregg's "Ain't Wastin' Time No More," though written before Duane's crash, is an effective and all-too-poignant rumination on uprushing mortality with excellent playing from the whole quintet. Dickey Betts, tossed into the unenviable position of sole guitar player in rock's most celebrated two-guitar band, more than holds his own here, contributing top-notch picking on every track - most notably his own thunderstorm instrumental, "Les Brers in A Minor," which starts out as a grinding tribute to amplification before morphing into a Santana-esque Latin funk workout liberally spiced with impressive displays of chops all around. "Melissa," a beautiful old ballad co-written by Gregg which the Brothers had first recorded with their previous group the Hourglass, is by contrast epitomally delicate and genuinely moving; Dickey's ethereal lead is a dream.
Next up: thirty-three minutes of "Mountain Jam," longest of the ABB's many long onstage workouts, the Duane-drenched final third of which is at least the equal of anything on FILLMORE and makes me wonder why that album wasn't simply released as a triple, with this LP-length track included, in the first place. Also recorded during the Fillmore East engagement, "One Way Out" and "Trouble No More," which the Brothers had first tackled on their 1969 debut album, are solid blues jams in the classic Allmans vein.
Finally, there are the last three studio tunes featuring Duane, which with fitting irony point to yet more new directions this band might well have explored had it only had the opportunity. "Stand Back," a bouncing number from Gregg, would've been equally at home on IDLEWILD SOUTH; but Dickey's sublime country ballad "Blue Sky," with its brilliant solos from both guitarists, and Duane's only ABB composition, the brief dobro/guitar duet "Little Martha," mine and master new territory and suggest that a more varied range of material, from an expanded group of songwriters, would have kept this band firmly at the front of the pack through all those gigs that might have been.
More than thirty years later, the original ABB's handful of recordings remain one of the great listening experiences to be had anywhere. EAT A PEACH and AT FILLMORE EAST are the very best of the great, which really leaves nothing to say.
₪49.00
America - The Definitive Pop Collection (2cd Set)
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Gerry Beckley, Dewey Bunnell, ad Dan Peek built an enduring legacy for the group as soft-rock standard bearers and their mellow blend of rock, pop, and folk remains one of its essential sounds.
Disc: 1
1. Horse with No Name
2. I Need You
3. Riverside
4. Sandman
5. Everyone I Meet Is from California
6. Ventura Highway
7. Don't Cross the River
8. Only in Your Heart
9. To Each His Own
10. Cornwall Blank
11. Muskrat Love
12. Green Monkey
13. She's Gonna Let You Down [Single Edit]
14. Rainbow Song
Disc: 2
1. Tin Man
2. Another Try
3. Lonely People
4. Hollywood
5. Baby It's Up to You
6. Old Man Took
7. Sister Golden Hair
8. Daisy Jane
9. Woman Tonight
10. Today's the Day
11. Amber Cascades
12. Jet Boy Blue
13. Watership Down
14. God of the Sun
15. Sergeant Darkness
16. Sarah
Gerry Beckley, Dewey Bunnell, ad Dan Peek built an enduring legacy for the group as soft-rock standard bearers and their mellow blend of rock, pop, and folk remains one of its essential sounds.
Disc: 1
1. Horse with No Name
2. I Need You
3. Riverside
4. Sandman
5. Everyone I Meet Is from California
6. Ventura Highway
7. Don't Cross the River
8. Only in Your Heart
9. To Each His Own
10. Cornwall Blank
11. Muskrat Love
12. Green Monkey
13. She's Gonna Let You Down [Single Edit]
14. Rainbow Song
Disc: 2
1. Tin Man
2. Another Try
3. Lonely People
4. Hollywood
5. Baby It's Up to You
6. Old Man Took
7. Sister Golden Hair
8. Daisy Jane
9. Woman Tonight
10. Today's the Day
11. Amber Cascades
12. Jet Boy Blue
13. Watership Down
14. God of the Sun
15. Sergeant Darkness
16. Sarah
₪79.00
Andy White - Andy White (remastered W / 3 Bonus Tracks)
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1. Let Me Be Free
2. Sunrise
3. Come With Me
4. I Want It Straight
5. Little Boy
6. Jesus In A Cadillac
7. Deeper Water
8. Hysteria
9. Bodybuilder
10. Understand
11. What About You Babe
12. Very Thing
13. Coz I'm Free
14. Please
15. Me The Moon My Car And You
16. St Patrick's Day
HOT PRESS, Ireland, April 2001
"This is an album that will meet the most exacting scrutiny from both fan and casual listener alike. Make sure you hear it."
MOJO, UK, April 1999
"From rage to sage, it's not too late to discover one of our best-kept secrets."
White has switched from edgy folk label Cooking Vinyl to the more austere Thirsty Ear for this self-titled departure from his usual sparse and driving protest songs and Irish ballads. These are thoughtful pop constructs that leave the listener on a plateau of abandon one minute and in a melancholic valley the next. The album is outstanding in its evocation of emotional ambiguity, both lyrically and within its brilliant harmonic changes. Themes of yearning - for travel, home, companionship, and freedom - and moving on filter through in vignettes, both specific and non-specific. The tracks are enriched by a roster of guests, such as Radoslav Lorkovic on accordion, Ursula Burns on harp, and Stephen Fearing on mandola. It includes the gospel-tinged wails of Josie Docherty on "Jesus in a Cadillac," a duet with the Wild Colonials' Angela McCluskey on the sublime "Please," and the elevating single "Coz I'm Free," which was inspired by the tattoo on the arm of Olympic 400-meter champion Cathy Freeman.
1. Let Me Be Free
2. Sunrise
3. Come With Me
4. I Want It Straight
5. Little Boy
6. Jesus In A Cadillac
7. Deeper Water
8. Hysteria
9. Bodybuilder
10. Understand
11. What About You Babe
12. Very Thing
13. Coz I'm Free
14. Please
15. Me The Moon My Car And You
16. St Patrick's Day
HOT PRESS, Ireland, April 2001
"This is an album that will meet the most exacting scrutiny from both fan and casual listener alike. Make sure you hear it."
MOJO, UK, April 1999
"From rage to sage, it's not too late to discover one of our best-kept secrets."
White has switched from edgy folk label Cooking Vinyl to the more austere Thirsty Ear for this self-titled departure from his usual sparse and driving protest songs and Irish ballads. These are thoughtful pop constructs that leave the listener on a plateau of abandon one minute and in a melancholic valley the next. The album is outstanding in its evocation of emotional ambiguity, both lyrically and within its brilliant harmonic changes. Themes of yearning - for travel, home, companionship, and freedom - and moving on filter through in vignettes, both specific and non-specific. The tracks are enriched by a roster of guests, such as Radoslav Lorkovic on accordion, Ursula Burns on harp, and Stephen Fearing on mandola. It includes the gospel-tinged wails of Josie Docherty on "Jesus in a Cadillac," a duet with the Wild Colonials' Angela McCluskey on the sublime "Please," and the elevating single "Coz I'm Free," which was inspired by the tattoo on the arm of Olympic 400-meter champion Cathy Freeman.
₪65.00
Andy White - Garage Band
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Andy's latest record Garageband (FW 028), was released on October 30 2006. The album was recorded in Andy's new home of Melbourne Australia and Real World Studios by John Leckie, producer of 'The Bends', My Morning Jacket, Muse and Roy Harper. It is panoramic, live and loud. A mix of world, rock and Irish music - all shot through with Andy's trademark lyrics. Belfast boy Andy White is a rock'n'roll star in his own land. He has merged pop sensibility with lyrical excellence, social commentary and acoustic guitars ever since his debut single 'Religious Persuasion' and first album 'Rave On Andy White' in 1986. Since 'Rave On', Andy has released 8 solo albums, two compilations and a live album. He has written classics such as 'James Joyce's Grave' and 'Street Scenes From My Heart', won Ireland's top songwriting award, lived in Ireland, Europe and currently Australia, and toured the world many times over.
First She Said Stop
2. Capitol Of Now
3. I Got A Number Off You
4. You Walked Back Into My Heart
5. Message To You
6. Waiting For Someone
7. You've Got It All Worked Out
8. Long Time Coming
9. No Way Out
10. Live To Fail (Lift The Veil)
11. Letter From T/Don't Choose The Wrong Way
12. Samuel Beckett
13. Gallery Girls
14. In A Garage
Andy's latest record Garageband (FW 028), was released on October 30 2006. The album was recorded in Andy's new home of Melbourne Australia and Real World Studios by John Leckie, producer of 'The Bends', My Morning Jacket, Muse and Roy Harper. It is panoramic, live and loud. A mix of world, rock and Irish music - all shot through with Andy's trademark lyrics. Belfast boy Andy White is a rock'n'roll star in his own land. He has merged pop sensibility with lyrical excellence, social commentary and acoustic guitars ever since his debut single 'Religious Persuasion' and first album 'Rave On Andy White' in 1986. Since 'Rave On', Andy has released 8 solo albums, two compilations and a live album. He has written classics such as 'James Joyce's Grave' and 'Street Scenes From My Heart', won Ireland's top songwriting award, lived in Ireland, Europe and currently Australia, and toured the world many times over.
First She Said Stop
2. Capitol Of Now
3. I Got A Number Off You
4. You Walked Back Into My Heart
5. Message To You
6. Waiting For Someone
7. You've Got It All Worked Out
8. Long Time Coming
9. No Way Out
10. Live To Fail (Lift The Veil)
11. Letter From T/Don't Choose The Wrong Way
12. Samuel Beckett
13. Gallery Girls
14. In A Garage
₪65.00
Armaggedon (germany) - Armaggedon (remastered Esoteric Edition Of 1970 Album)
At one time this was an almost impossible album to obtain on physical medium (until a recent Esoteric re-issue) and certainly worth tracking down. Asbjornsen cites a Hendrix influence in his book on German Prog, "Cosmic Dream at Play" and whilst there is a nod to the great man, to my ears it is Peter Green that is written all over this superb blues/rock/prog outing, not only in Green's beautiful and fluid style of guitar work but also in the similar vocal style and tone. The similarity to classic period Spooky Tooth is born out by a wonderful rendition of "Better By You, Better Than Me". Like many Italian one-album bands of the time, this also leaves the listener wondering what might have been, had they made more albums. Musical audiences are a fickle lot. Countless awful bands achieve great longevity whilst many excellent and often far more able groups fall on stony ground and are consigned to the cess-pit of obscurity.
Fabulous heavy Prog, highly recommended.(theworldof)
Kuckuck was responsible for releasing many great albums in Germany in the early 1970s, including this sole album by the legendary Armaggedon. Not to be confused with other bands of the same name, the quartet comprised Frank Diez (lead guitar, vocals), Manfred Galatik (keyboards, bass guitar, vocals), Michael Nurnberg (bass& rhythm guitars) and Jurgen Lorenzen (drums, percussion).
The album was one of the earliest issued on the Kuckuck imprint and was a fine hard progressive rock alb um with Frank Diez's guitar work inspired by the likes of Jeff Beck and Jimi Hendrix.
At one time this was an almost impossible album to obtain on physical medium (until a recent Esoteric re-issue) and certainly worth tracking down. Asbjornsen cites a Hendrix influence in his book on German Prog, "Cosmic Dream at Play" and whilst there is a nod to the great man, to my ears it is Peter Green that is written all over this superb blues/rock/prog outing, not only in Green's beautiful and fluid style of guitar work but also in the similar vocal style and tone. The similarity to classic period Spooky Tooth is born out by a wonderful rendition of "Better By You, Better Than Me". Like many Italian one-album bands of the time, this also leaves the listener wondering what might have been, had they made more albums. Musical audiences are a fickle lot. Countless awful bands achieve great longevity whilst many excellent and often far more able groups fall on stony ground and are consigned to the cess-pit of obscurity.
Fabulous heavy Prog, highly recommended.(theworldof)
Kuckuck was responsible for releasing many great albums in Germany in the early 1970s, including this sole album by the legendary Armaggedon. Not to be confused with other bands of the same name, the quartet comprised Frank Diez (lead guitar, vocals), Manfred Galatik (keyboards, bass guitar, vocals), Michael Nurnberg (bass& rhythm guitars) and Jurgen Lorenzen (drums, percussion).
The album was one of the earliest issued on the Kuckuck imprint and was a fine hard progressive rock alb um with Frank Diez's guitar work inspired by the likes of Jeff Beck and Jimi Hendrix.
₪79.00
Arthur Brown - Chisholm In My Bosom (remastered 1977 Album)
Digitally remastered edition of this 1977 album from the eccentric British rocker. Recorded at a cross roads in Arthur's career, the album saw him experiment with the lengthy side-long title track, collaborating once more with former Crazy World bandmate Vincent Crane and Kingdom Come guitarist Andy Dalby. The result was one of the most fascinating and creative albums recorded by Arthur in the 1970s. Featuring a superb version of 'I Put A Spell On You' and a series of shorter tracks, Chisholm In My Bosom now makes its full UK debut on CD (a previous release editing ten minutes from the lengthy title track). Esoteric. 2011.
Digitally remastered edition of this 1977 album from the eccentric British rocker. Recorded at a cross roads in Arthur's career, the album saw him experiment with the lengthy side-long title track, collaborating once more with former Crazy World bandmate Vincent Crane and Kingdom Come guitarist Andy Dalby. The result was one of the most fascinating and creative albums recorded by Arthur in the 1970s. Featuring a superb version of 'I Put A Spell On You' and a series of shorter tracks, Chisholm In My Bosom now makes its full UK debut on CD (a previous release editing ten minutes from the lengthy title track). Esoteric. 2011.
₪79.00
Arthur Lee - Arthur Lee (remastered 1977 Album)
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As a visionary and leader of the 60s iconic band Love, Arthur Lee's prolific words and music continue with this second solo release. Out of print for over three decades, Friday Music is proud to offer another installment of the Love & Arthur Lee Remaster Series with this fine CD. Includes the fan favorite One, a new take on 7 & 7 Is and a nod to Love with I Do Wonder. Featured players include the late seventies Love and the late great guitarist Velvert Turner. Original liner notes by Lee as well as definitive remastering by Love archivist Joe Reagoso.
1. One
2. I Do Wonder
3. Just Us
4. Happy You
5. Do You Know The Secret
6. One And One
7. 7 & 7 Is
8. Mr. Lee
9. Bend Down
10. Down Street
11. Stay Away From Evil
12. Many Rivers To Cross
As a visionary and leader of the 60s iconic band Love, Arthur Lee's prolific words and music continue with this second solo release. Out of print for over three decades, Friday Music is proud to offer another installment of the Love & Arthur Lee Remaster Series with this fine CD. Includes the fan favorite One, a new take on 7 & 7 Is and a nod to Love with I Do Wonder. Featured players include the late seventies Love and the late great guitarist Velvert Turner. Original liner notes by Lee as well as definitive remastering by Love archivist Joe Reagoso.
1. One
2. I Do Wonder
3. Just Us
4. Happy You
5. Do You Know The Secret
6. One And One
7. 7 & 7 Is
8. Mr. Lee
9. Bend Down
10. Down Street
11. Stay Away From Evil
12. Many Rivers To Cross
₪69.00
Ashkan - In From The Cold (remastered 1970 Album)
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Ashkan are most known for having been led by guitarist Bob Weston, who was in Fleetwood Mac for a while in the early '70s; he'd also replaced Paul Kossoff in Black Cat Bones when Kossoff left to form Free. Unsurprisingly, given those connections, Ashkan's sole album is in the British blues-rock vein, with most of the songs written or co-written by Weston.
Led by future Fleetwood Mac guitarist Bob Weston, Ashkan
were together for only a matter of months before imploding.
However, they did leave behind a small but perfectlyformed
legacy in the shape of In From The Cold, a blistering,
52-minute slab of turn-of-the-decade British psychedelic /
progressive blues rock that, in January 1970, became the
first release on Decca s new underground label Decca Nova.
With Weston s frenzied, proto-metal guitar heroics matched
all the way by Steve Bailey s powerful, Spooky Tooth-style
lead vocals, the album received encouraging reviews, only
for the band to split on the eve of its release. Now a major
collectable, In From The Cold has been heavily bootlegged
over the last couple of decades, but now receives a longoverdue,
first-ever official reissue.
The definitive issue of a highly regarded album, this release
features restored artwork, master tape sound and sleevenotes
that tell the band s story for the first time, with the
reclusive Weston giving a highly illuminating first-ever
interview concerning his time with the band.
Ashkan are most known for having been led by guitarist Bob Weston, who was in Fleetwood Mac for a while in the early '70s; he'd also replaced Paul Kossoff in Black Cat Bones when Kossoff left to form Free. Unsurprisingly, given those connections, Ashkan's sole album is in the British blues-rock vein, with most of the songs written or co-written by Weston.
Led by future Fleetwood Mac guitarist Bob Weston, Ashkan
were together for only a matter of months before imploding.
However, they did leave behind a small but perfectlyformed
legacy in the shape of In From The Cold, a blistering,
52-minute slab of turn-of-the-decade British psychedelic /
progressive blues rock that, in January 1970, became the
first release on Decca s new underground label Decca Nova.
With Weston s frenzied, proto-metal guitar heroics matched
all the way by Steve Bailey s powerful, Spooky Tooth-style
lead vocals, the album received encouraging reviews, only
for the band to split on the eve of its release. Now a major
collectable, In From The Cold has been heavily bootlegged
over the last couple of decades, but now receives a longoverdue,
first-ever official reissue.
The definitive issue of a highly regarded album, this release
features restored artwork, master tape sound and sleevenotes
that tell the band s story for the first time, with the
reclusive Weston giving a highly illuminating first-ever
interview concerning his time with the band.
₪79.00
Ashton, Gardner & Dyke - Ashton Gardner & Dyke (remastered W/ 4 Bonus Tracks)
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British blues-rock trio's 1969 album includes four bonus tracks, 'Maiden Voyage' (long version), 'See The Sun In My Eyes', 'Resurrection Shuffle' & 'Can You Get It'.
British blues-rock trio's 1969 album includes four bonus tracks, 'Maiden Voyage' (long version), 'See The Sun In My Eyes', 'Resurrection Shuffle' & 'Can You Get It'.
₪59.00
Atlanta Rhythm Section - Third Annual Pipe Dream/ A Rock And Roll Alternative
remastered two-fer from the Southern Rock band containing a pair of albums on one CD: Third Annual Pipe Dream (1974) and A Rock & Roll Alternative (1976). The Atlanta Rhythm Section was one of the best bands on the American rock circuit throughout the 70's. They called it a day in the early 80's but reformed in the later years of that decade with a new release which was followed by intermittent recordings thereafter. There is still an ARS on the road today but only one original member remains. There are a bewildering amount of compilations now available so I hope to make your choice easier by simply advising you to BUY THIS CD!
BGO and GOTT Records are 2 labels that have now merged who specialise in making music (that may have slipped out of mainstream consciousness) available to fans in attractive newly mastered releases that are frequently great value 2 albums on one CD. You have one of the best bargains in their catalog on this release. I have already reviewed "A Rock 'n' Roll Alternative" as a single disc on these Amazon pages so will shorten my comments to describe it as one of the top 5 southern rock albums that's an absolute essential purchase for anyone interested in the genre.
Briefly the best southern rock draws from different musical styles - boogie, blues and country with jazz touches and more than a passing nod to British blues rock. Paul Rodgers seems to have been a huge influence on many of the genre's top vocalists. ARS weren't as bluesy or boozy as Skynyrd or the Allmans but showed far greater musicality and subtle song-writing and arrangements that have stood the test of time. "Alternative" features "So Into You", "Georgia Rhythm", "Neon Nights" and "Hitch Hikers Hero" all classic songs with great vocals and superb harmonies. This album was released in 1976 and went gold Stateside within a year.
"Third Annual Pipedream" dates from '74 and was the Georgia group's breakthrough album. While not as accomplished as it's coupling here it was still a big improvement on it 2 predecessors. The album opens with "Doraville" - the track that turned me onto southern rock. It's an infectious slice of country rock that builds a simple chord sequence by adding extra layers of harmony and I've been unable to avoid singing along every time I heard it since (over 35 years !) "Angel" is another classic. This song has a number of time changes and is an excellent and well-thought out arrangement. Bass players may note that most ARS albums featured a bass solo at a time when only the jazz-rock groups would consider doing such a thing. The CD has a couple of almost country acoustic singalongs ("Get your Head out of my Heart" - great title!, and "Jesus Hearted People") that will again have you joining in for the choruses. The remainder of the tracks are more routine though still worthwhile with a rather ordinary instrumental being a bit of an anti-climax.
So you have almost 70 minutes of genre-defining music at a great price. The remastering gives a touch more clarity and more focussed bass than the original recordings. I couldn't recommend this release more highly. Can I also suggest you go for it's sister release where two more mid-70's albums "Dog Days" and "Red Tape" are paired with equally wonderful music.( Fergal Woods)
remastered two-fer from the Southern Rock band containing a pair of albums on one CD: Third Annual Pipe Dream (1974) and A Rock & Roll Alternative (1976). The Atlanta Rhythm Section was one of the best bands on the American rock circuit throughout the 70's. They called it a day in the early 80's but reformed in the later years of that decade with a new release which was followed by intermittent recordings thereafter. There is still an ARS on the road today but only one original member remains. There are a bewildering amount of compilations now available so I hope to make your choice easier by simply advising you to BUY THIS CD!
BGO and GOTT Records are 2 labels that have now merged who specialise in making music (that may have slipped out of mainstream consciousness) available to fans in attractive newly mastered releases that are frequently great value 2 albums on one CD. You have one of the best bargains in their catalog on this release. I have already reviewed "A Rock 'n' Roll Alternative" as a single disc on these Amazon pages so will shorten my comments to describe it as one of the top 5 southern rock albums that's an absolute essential purchase for anyone interested in the genre.
Briefly the best southern rock draws from different musical styles - boogie, blues and country with jazz touches and more than a passing nod to British blues rock. Paul Rodgers seems to have been a huge influence on many of the genre's top vocalists. ARS weren't as bluesy or boozy as Skynyrd or the Allmans but showed far greater musicality and subtle song-writing and arrangements that have stood the test of time. "Alternative" features "So Into You", "Georgia Rhythm", "Neon Nights" and "Hitch Hikers Hero" all classic songs with great vocals and superb harmonies. This album was released in 1976 and went gold Stateside within a year.
"Third Annual Pipedream" dates from '74 and was the Georgia group's breakthrough album. While not as accomplished as it's coupling here it was still a big improvement on it 2 predecessors. The album opens with "Doraville" - the track that turned me onto southern rock. It's an infectious slice of country rock that builds a simple chord sequence by adding extra layers of harmony and I've been unable to avoid singing along every time I heard it since (over 35 years !) "Angel" is another classic. This song has a number of time changes and is an excellent and well-thought out arrangement. Bass players may note that most ARS albums featured a bass solo at a time when only the jazz-rock groups would consider doing such a thing. The CD has a couple of almost country acoustic singalongs ("Get your Head out of my Heart" - great title!, and "Jesus Hearted People") that will again have you joining in for the choruses. The remainder of the tracks are more routine though still worthwhile with a rather ordinary instrumental being a bit of an anti-climax.
So you have almost 70 minutes of genre-defining music at a great price. The remastering gives a touch more clarity and more focussed bass than the original recordings. I couldn't recommend this release more highly. Can I also suggest you go for it's sister release where two more mid-70's albums "Dog Days" and "Red Tape" are paired with equally wonderful music.( Fergal Woods)
₪89.00
Atlas Sound - Let The Blind Lead Those Who Can See But Cannot
Limited edition UK two CD pressing of the 2008 debut album from the solo moniker of 25 year old Deerhunter frontman / provocateur Bradford Cox features a bonus disc containing six non-album tracks. Bradford is everything with Atlas Sound and what you hear is a complex, expansive bedroom recording. Totally absorbed and working at a prolific rate, he channels a stream of consciousness, leaving the scorched beauty of his vocals raw and untreated. Citing the 'ideas that I can't make work with a five piece rock band', as the basis of his solo work and unrestricted, he makes an unparalleled meld of garage rock and ambient electronics. Let The Blind Lead Those Who Can See But Cannot Feel is a serious body of work that manages to combine seemingly incongruous sound elements to make a wonderfully cohesive Pop narrative. It is also one of the year's first truly great albums.
Cd-1
1 A Ghost Story 2:44
2 Recent Bedroom 3:46
3 River Card 3:20
4 Quarantined 4:20
5 On Guard 3:40
6 Winter Vacation 4:00
7 Cold as Ice 3:33
8 Scraping Past 4:30
9 Small Horror 2:54
10 Ready, Set, Glow 2:58
11 Bite Marks 4:18
12 After Class 3:29
13 Ativan 2:51
14 Let the Blind Lead Those Who Can See But Not Feel 3:45
cd-2 (bonus)
1.another bedroom
2.it rained
3.stained glass swan
4.the abandoned closet
5.spring break
6.ABC glasgow
Limited edition UK two CD pressing of the 2008 debut album from the solo moniker of 25 year old Deerhunter frontman / provocateur Bradford Cox features a bonus disc containing six non-album tracks. Bradford is everything with Atlas Sound and what you hear is a complex, expansive bedroom recording. Totally absorbed and working at a prolific rate, he channels a stream of consciousness, leaving the scorched beauty of his vocals raw and untreated. Citing the 'ideas that I can't make work with a five piece rock band', as the basis of his solo work and unrestricted, he makes an unparalleled meld of garage rock and ambient electronics. Let The Blind Lead Those Who Can See But Cannot Feel is a serious body of work that manages to combine seemingly incongruous sound elements to make a wonderfully cohesive Pop narrative. It is also one of the year's first truly great albums.
Cd-1
1 A Ghost Story 2:44
2 Recent Bedroom 3:46
3 River Card 3:20
4 Quarantined 4:20
5 On Guard 3:40
6 Winter Vacation 4:00
7 Cold as Ice 3:33
8 Scraping Past 4:30
9 Small Horror 2:54
10 Ready, Set, Glow 2:58
11 Bite Marks 4:18
12 After Class 3:29
13 Ativan 2:51
14 Let the Blind Lead Those Who Can See But Not Feel 3:45
cd-2 (bonus)
1.another bedroom
2.it rained
3.stained glass swan
4.the abandoned closet
5.spring break
6.ABC glasgow
₪89.00