קצת אחרת - Electronic

Autechre, seemingly disregarding fans' worries about quality control, issued the Move of Ten mini-LP just a few short months after the Oversteps LP, and virtually every track here could stand proudly on a full-length. If anything, the tracks on Move of Ten range farther than its companion LP, and with close to 50 minutes of music, it's nearly as impressive an achievement as Oversteps. With just a few exceptions, it's heavily percussive and effects-focused, although melodic undertones do emerge occasionally, as on the highlight, "nth Dafuseder.b."

₪59.00

Brian Eno (with Jon Hopkins & Leo Abrahams) - Small Craft On A Milk Sea

Legendary composer and producer Brian Eno signed to the equally legendary label Warp Records in 2010 to release his twenty fifth solo album 'Small Craft On A Milk Sea'. Working with Jon Hopkins and Leo Abrahams, the album sees Eno producing a collection of tracks that range from gentle piano piecesthrough to hypnotic experimental electronic workouts.

₪75.00

Brian Eno - Another Green World (original Master Digipack Edition)

Eno first emerged as a member of Roxy Music, where the synthesizer player electronically "treated" the band's other instruments, the first indicator that the recording process was itself Eno's chosen instrument. His subsequent career has been one of the most provocative in pop, for not only did he devote himself to such obscure pursuits as "ambient music," but he produced vital albums by David Bowie, Talking Heads, and U2. Eno made a handful of relatively conventional pop albums in the 1970s, and Another Green World ranks with Before and After Science as his most enduring solo work. Another Green World finds Eno mixing distorted guitars (courtesy of Robert Fripp) with a variety of keyboards and exotic rhythms to create a meditative wash of sound that is nonetheless awash with colorful touches. Particularly appealing is the bubbling "St. Elmo's Fire," with a stunning guitar part by Fripp, and "I'll Come Running," in which Eno shows that even a dedicated experimentalist can have a soft heart. From the strange-but-true file, Phil Collins contributes drums and percussion to three tracks (John Milward)

₪85.00

Brian Eno - Music For Films (remastered)

It's amazing to think that this was recorded in 1978. It sounds timeless. This must have exercised a huge influence on the whole generation of ambient music that appeared in the following two decades, but still sounds more interesting than most. While sonically similar to Music for Airports, the very brevity of the tracks here works in its favour. None outstay their welcome, whereas with MfA, one's mind pretty quickly wanders (though you might argue that that is precisely the objective -- in his original sleevenotes, Eno suggests that all of the Ambient series be played at barely audible levels.) While MfA is meditative enough for that to work it would be a shame to use this CD in the same way. The structure and space of each piece deserve close attention. I don't know if any of these tracks made it into films (I wouldn't be surprised) but many of them were staple soundtrack fare for BBC documentaries for many years, as were tracks from Eno's excellent "Apollo" album. (stu, san francisco)

₪55.00

Cluster - Zuckerzeit (remastered Spv Digipack Of 1974 Album)

The most important and consistently underrated space-rock unit of the '70s, Cluster (originally Kluster) was formed by Dieter Moebius, Hans-Joachim Roedelius and Conrad Schnitzler as an improv group that used everything from synthesizers to alarm clocks and kitchen utensils in their performances. Continuing on as a duo, Moebius and Roedelius eventually recorded many landmark LPs - separately, as a duo, and with all manner of guest artists from Brian Eno to Conny Plank to Neu!'s Michael Rother - in the field of German space music, often termed kosmische. Cluster also continued to explore ambient music into the '90s, long after their contemporaries had drifted into tamer new age music or ceased recording altogether. Zuckerzeit (Sugar Time) is a well titled release; after the stark and (at times) testing Cluster II, this is an altogether sweeter affair. The music here is much denser, with more colour and a much greater degree of poppiness, all lending the album a pleasingly light and upbeat feel. One very obvious difference to Cluster II is the extensive use of drum machines, meaning that where tracks had previously consisted of layers of synthesizer noise, they now have a definite rhythm, seeming to free the melodic side of the band. Actually, Zuckerzeit is an album put together by two separate artists operating under a collective title, with Moebius and Roedelius each contributing five tracks and while this kind of behaviour rarely produces a unified outcome, here the album holds together nicely. Although Cluster are less well known than the likes of Kraftwerk, this material deserves to be considered as being as influential and important in the development of electronic music. This is powerful and creative music and for anyone looking to venture into the less Rock side of Krautrock, or into groundbreaking electronic music, it s a very fine place to start. 1. Hollywood 2. Caramel 3. Rote Riki 4. Rosa 5. Caramba 6. Fotschi Tong 7. James 8. Marzipan 9. Rotor 10. Heisse Lippen

₪99.00

Jean Jacques Perrey - The Amazing New Electronic Pop Sound Of Jean-Jacques Perrey

₪69.00

Jean Jacques Perry - E.V.A The Best Of

₪49.00

Jean Michel Jarre - Complete Oxygene (limited Edition 2-cd Box+ Unreleased Cut)

only one copy in stock ! New sealed copy of long out of print limited edition box.includes unreleased track, 24-page booklet & unseen photos. Disc: 1 1. Oxygene, Pt. 1 2. Oxygene, Pt. 2 3. Oxygene, Pt. 3 4. Oxygene, Pt. 4 5. Oxygene, Pt. 5 6. Oxygene, Pt. 6 Disc: 2 1. Oxygene 7 2. Oxygene 8 3. Oxygene 9 4. Oxygene 10 5. Oxygene 11 6. Oxygene 12 7. Oxygene 13

₪199.00

Joe Meek And The Blue Men - I Hear A New World (special Edition Digipack+ Bonus)

An Outer Space Music Fantasy Special edition reissue of the legendary British producer's 1960 album. Includes 35 minutes of additional audio, an interview with Meek conducted in 1962 as he takes the listener around his studio. Enhanced CD-ROM track features a segment filmed by the World In Action team for a Granada TV documentary broadcast in the early 60s discussing influential people in popular culture including Meek. 2001 release. Digipak. 1. I Hear a New World 2. Orbit Around the Moon 3. Entry of the Globbots 4. Bublight 5. March of the Bribcots 6. Love Dance of the Saroos 7. Glob Waterfall 8. Magnetic Field 9. Valley of the Saroos 10. Dribcots Space Boat 11. Disc Dance of the Globbots 12. Valley of No Return 13. Early History 14. Ibc/Triumph/RGM/Pyr 15. Holloway Raod/Studio Gear 16. Day in the Life/Making/Records/Production

₪89.00

Kraftwerk - Computer World (remastered)

Part of the new series of digital re-masters of Kraftwerk's classic albums. Computer World is the album that has undoubtedly had the greatest influence on techno and electronic music out of any of their work, with tracks such as Numbers and Home Computer sounding incredibly ahead of their time, so much so that this album doesn't seem dated nearly 30 years after its original release! Essential listening for any music fan and sounding crisper than ever thanks to some subtle re-mastering work.

₪65.00

Kraftwerk - Radio- Activity

Considered by many fans to be the German duo's first classic album, 1975's RADIO-ACTIVITY marked a major change of persona for Kraftwerk. Cutting their hair, shaving their beards and dressing in plain suits, Ralf Hutter and Florian Schneider reinvented themselves as ascetic sound engineers as opposed to performers. Taking cues from minimalist composers like Steve Reich or Terry Riley, RADIO-ACTIVITY explores the creative uses of repetition and limitation. Several songs are built on a single pulsing chord, and other tracks are less songs than they are brief sound pictures. Titles and lyrics pun off of both nuclear energy and radio waves, also helping to give the album a conceptual unity missing from their first few records. "The Voice of Energy" and the title track are among the band's finest works. As with many of Kraftwerk's records, RADIO-ACTIVITY was issued in a German-language version in the band's homeland. 1. Geiger Counter 2. Radio-activity 3. Radioland 4. Airwaves 5. Intermission 6. News 7. Voice Of Energy 8. Antenna 9. Radio Stars 10. Uranium 11. Transistor 12. Ohm Sweet Ohm

₪55.00

Kraftwerk - Trans- Europe Express

Kraftwerk reached a creative peak on this 1977 masterpiece,whose second side was entirely devoted to a breathtaking aural recreation of an intercontinental train journey. The first side featured the shimmering beauty of "Europe Endless" alongside the eerie, dislocated vocals of "The Hall of Mirrors" and "Showroom Dummies", the latter track demonstrating the band's often unappreciated sly humour. Representing one of the pinnacles of 70s electronic music, it was a notable irony that the expressionless and mechanistic Kraftwerk went onto become, via Afrika Bambaataa's sampling of "Trans-EuropeExpress" on his seminal "Planet Rock" single, one of the early pioneers of dance music. 1. Europe Endless 2. Hall Of Mirrors 3. Showroom Dummies 4. Trans Europe Express 5. Metal On Metal 6. Franz Schubert 7. Endless Endless

₪55.00

Paul Hardcastle - Time Machine - The Early Recordings 1981 - 83

archive collection from the British keyboardist, producer and hitmaker. The collection includes the complete recordings of his bands Direct Drive and First Light, issued on a string of rare 12" singles for the Oval label. Direct Drive consisted of singer Derek Green's soulful vocals alongside Hardcastle, Mick Ward, Pete Quinton, Bob Williams and Bones.

₪69.00

Robert Fripp & Brian Eno - The Equatorial Stars

In many ways, this album is everything one would have expected-- somehow the natural successor to "No Pussyfooting" and "Evening Star". In other ways, its nothing like I would have expected-- the usual stamps of Fripp and Eno's recent work seems to be missing. Its really quite hard to largely identify the identity of the musician generating the sound on much of this material, there's obvious stuff (we'll come to that in a minute), but as a rule, the backgrounds could be either of them. Sonically, it moves through a number of backdrops, with delicate, percussive, synthish loops dominating the early part of the record ("Meissa", "Lyra", "Tarazed"), wheras the middle of the record feels more like their old collaborations updated, the sort of modern Fripp soundscapes being more apparent ("Lupus", "Ankaa"). The remainder of the album features on track that is totally unexpected, the downright funky "Altair", with its train shuffling rhythms, drum loops, and funky guitar (in ways similar to material from the Eno/Schwaum "Drawn from Life" record), and the closer, "Terebellum", is an aggressive, haunting, and almost angry sounding piece almost reminiscent of "Radiophonics" or the other more aggressive soundscapes. Over this material, Fripp largely solos using a variant of his legendary fuzz tone-- its a bit mellower, and rounder though, similar to his leads on "Starless" and "The Power to Believe Part II" but in a more hushed feel. So that tells not much, the real question is, what's it like? Largely an ambient affair, the collaboration is what you'd expect-- there's no real incindiery moments here-- don't look for a "Baby's On Fire", but it is comparable to their previous collaborations in quality, and it certainly sounds nothing like Crimson. Some of it is full of delicate beauty ("Lyra"), some of its just a blast ("Altair"), some of its actually quite hard to listen to at all ("Terebellum"). For fans of ambient music, especially the work of these two gentelemen, this one will be quite rewarding. It falls short somehow of being a masterpiece, but it is really a great record. Recommended.

₪79.00

Rosebud - Discoballs: A Tribute To Pink Floyd

The players responsible for this 1977 release have connections to Magma and sessions for Elton John, to name only two, and its orchestrator - Gabriel Yared - would later score films directed by Jean-Luc Godard (Every Man for Himself) and Anthony Minghella (The English Patient, The Talented Mr. Ripley). And, of course, there is Pink Floyd, the band honored throughout the release, a set of Eurodisco reinterpretations involving a studio band fleshed out with a Polymoog, an ARP, and some string arrangements, as well as a vocalist - a Miss X, presumably not the naked woman on the cover, who sometimes resembles a less blues-rooted Maggie Bell. Discoballs is well-executed but cut-rate by 1977 disco standards, led by a jutting and strutting "Have a Cigar" that managed to peak at number four on Billboard's U.S. club chart in 1979. The real standout is a rather unfaithful "Interstellar Overdrive" that thrives on twitching and wiggling guitar action. It wouldn't sound out of place in a DJ set next after Talking Heads' "Born Under Punches." 1. Money 2. Have A Cigar 3. Interstellar Overdrive 4. Arnold Layne 5. One Of These Days 6. Free Four 7. Summer 68 8. Main Theme (More)

₪79.00

Senor Coconut & His Orchestra - Yellow Fever

Continuing on its cockeyed way through genre exercise and radical reinterpretation, Se?or Coconut, having redone one set of electronic legends in Kraftwerk years back, takes another turn with the archly titled Yellow Fever For indeed, it's the Yellow Magic Orchestra that gets the treatment this time out, but unlike the earlier effort, this is done not only with the individual participation of all three YMO veterans, but with any number of musical guests, from Towa Tei to Mouse on Mars. The sheer number of mix-and-match efforts throughout, highlighted by a number of shorter pieces that serve as bridges between the full-on covers, could almost be a hip-hop album in an alternate universe, but the basic consistency at the heart of the album is clear -- Uwe Schmidt in his Se?or Coconut guise, with vocalist Argenis Brito appearing throughout, transmogrifying YMO songs into classic Latin pop numbers. Anyone well familiar with the memorable hooks of songs like "Rydeen" and "Behind the Mask" will love the end results; anyone coming to it all completely as-is for the first time could readily enjoy it as such. The guest appearances make the album even more of a random surprise, as when Akufen applies his patented hyper-cut-up procedure to "Coco Agogo," or when Tei and Nouvelle Vague's Marina kick up their heels on a swinging multilingual '30s jazz original, "Mambo Numerique" -- which of course is punctuated by a electronically growling vocal break. Perhaps the most appropriate reworking is "Limbo," which YMO member Yukihiro Takahashi smoothly performs as well as he did the first time around while the arrangements almost explode around him. Haruomi Hosono's lead on "The Madmen" is no less deft and playful, while Ryuichi Sakamoto's turn on "Yellow Magic (Tong Poo)," if less immediately apparent, completes the trifecta nicely.

₪39.00

The Happy Dragon - Band - The Happy Dragon - Band

The band who did the Phantom LP on Capitol drops the Doors mask and moves into a wayout experimental electronics psych bag. [Ron moore - from lysergia)

₪69.00

Tim Hecker - Ravedeath, 1972 (gatefold Vinyl Lp)

RECEIVED AN 8.6 BEST NEW MUSIC RATING FROM PITCHFORK. TIM HECKER's latest work approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this new piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wooden room, and also a pagan work of physical resonance within a space once reserved for the hallowed breath of the divine. While the title of the piece "Hatred of Music" might be a clue, the album is also partly an attempt to confront a pervasive negativity surrounding music. Historical rituals of destroying pianos, mountains of pirated CDRs pushed by bulldozers in Eastern Europe, or the melancholy of the digital music era began as sideline motifs which quickly informed the work on this record. They also really didn't at all. Despite that the context is wide open in such a form of musical abstraction, the substance of these immersive compositions showcases Hecker?s continued mastery of organizing sound into a visceral near entity. It is an almost physical presence that the listener feels as much as hears. This work is a significant contribution to Hecker's oeuvre, one which spans over ten years of musical production. Ravedeath is an enigmatic document of beauty and force. The album was recorded mostly over the period of one day in July of 2010. Iceland-based musician Ben Frost assisted with the engineering and performs on this recording. 8th release since 2001 from this conceptual electronic experimentalist out of Montreal, Canada. Recorded in an Icelandic church with a pipe organ as the primary sound source, here's a chance to be engulfed by a cathartic, dark & sweeping beauty--on a ride of gently soaring and continuously expansive soundwave vibrations with an infinite potential for universal transcendence to an unknowable destination. A powerful, mesmerizing mix of subtly terrifying drone-noise chasms in an ambrosial ambient haze of floating opiate spirituality. Recalls Ben Frost (who plays on the album), Bjorn Olsson, Stars Of the Lid, Mike Oldfield (charlie quaker)

₪99.00

Unkle - Where Did The Night Fall (ltd Edition Box Set Cd+book)

Doing away with any preconceived notions, UNKLE changed things up drastically for their fourth official album. With Richard File out of the picture and Pablo Clements picking up the reins as James Lavelle's sideman, the duo leaves trip-hop and digitally skewed breakbeats at the wayside. As a substitute, the new incarnation goes the band route, using primarily live instrumentation and a garage rock/psych pop sonic palette. Those who followed UNKLE after the breakout success of Psyence Fiction will be familiar with Lavelle's inclinations to try to rock in a post-Spooky world, which usually led him down a road of mediocre results, but where War Stories fused electronic aspects with saturated stoner rock, Where Did the Night Fall is a focused production of thick, heavily orchestrated Brit-rock, along the lines of Clinic and Muse. Per usual, vocalists take turns, phoning in from their respective area codes, and Autolux, Mark Lanegan, Elle. J, Big in Japan, Sleepy Sun, and the Black Angels turn in excellent performances. Even so, the studio band of Joel Cadbury, James Griffith, Matthew Pierce, and drummers Graham Fox and White Denim's Josh Block (among others, including the Heritage Orchestra) steal the show. The songs feel less flawed than previous experiments, with a unified vibe due to the eerie cement-wall production that overlays everything. No hip-hop MC detours. No dodgy instrumentals. Just groovy fuzz basslines, wayward drumming, chugging guitars, pulsing organs, and echoey vocals sung over minor chords that give way to tense, white-hot hooks. It's an explicit leap into new territory for the band, and though the second half may drag a bit, songs like "Natural Selection," "Joy Factory," "The Answer," and "On a Wire" make for some of UNKLE's all-time best singles, ones that rank right up there with "Rabbit in Your Headlights" and "Lonely Soul."

₪149.00

Various Artists - Klangstudie And Komposition (other Sounds Two- Early Experm)

Tracing the early experiments in sound of Herbert Eimert, Bruno Maderna, Karel Goeyvaert and Pierre Boulez Deep cerebral, swirling symphonies created by these pioneers of spaced out sound that assimilate booming rhythms, interstellar interference, chimes and the earliest drone pieces Echo, reverb, backwards tape loops and varispeed included With sleeve-notes by the book's author, MOJO magazine's Dave Henderson ebut releases on the OTHER SOUNDS imprint A companion album to the Cherry Red book JOURNEY TO A PLUGGED IN STATE OF MIND, an introduction to 100 Years Of Electronic Music

₪79.00

Various Artists - Music For A Retro-future (other Sounds- 60s Experm. Electro)

Debut release on the OTHER SOUNDS imprint A companion album to the Cherry Red book JOURNEY TO A PLUGGED IN STATE OF MIND, an introduction to 100 Years Of Electronic Music Tracing the early experiments of the synthesiser in movies and into commercial music Featuring the sounds of room sized computers, early rhythm generators and cognitive ideas of many men in white coats Includes the earliest recordings of Zappa favourite Varese, the exceptional `Song Of The Second Moon' and Raymond Scott's early experiments into synthetic sound With sleeve-notes by the book's author, MOJO magazine's Dave Henderson 1. Song of the Second Moon - Tom Dissevelt/Kid Baltan 2. Sonik Re-Entry - Tom Dissevelt/Kid Baltan 3. B.C. 167 - Raymond Scott 4. The Rhythm Modulator - Raymond Scott 5. Forbidden Planet Main Titles (Overture) -Louis + Bebe Barron 6. Ancient Krell Music 7. The Synthesis Of Music-The Physical Characteristics Of Musical Sounds The Sounds And Music Of The RCA Electronic Music Synthesizer 8. The Synthesis Of Music-Excerpts From Musical Selections - The Sounds And Music Of The RCA Electronic Music Synthesizer 9. Parade Des Soldats De Bois 10. Gavotte Des Vers Luisants 11. Le Siffleur Et Son Chien 12. Nola 13. Study No. 1 14. Noise Study 15. Int?grales 16. Density - Rene Le Roy 17. Ionisation - Edgard Var?se & Juilliard Percussion Orchestra 18. Octandre - NY Wind Ensemble

₪79.00