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סגנונות
- US/Canadian Psych (208)
- UK Psych (84)
- West Cost Psych (61)
- UK Psych-Pop, Beat,Freakbeat & R&B (53)
- US '60s Garage & Surf (52)
13th Floor Elevators - Psychedelic Circus
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A brand new archive 2009 collection from one of the major cult bands from the psychedelic 60's,and lead by the truly wonderful Roky Erikson
containing 15 rare and live recordings. Includes 'You're Gonna Miss Me', 'Tried To Hide', 'Roller Coaster' and more. Evangeline.
A brand new archive 2009 collection from one of the major cult bands from the psychedelic 60's,and lead by the truly wonderful Roky Erikson
containing 15 rare and live recordings. Includes 'You're Gonna Miss Me', 'Tried To Hide', 'Roller Coaster' and more. Evangeline.
₪75.00
23rd Turnoff - The Dream Of Michaelangelo (legendary 66/67 Recordings)
With beginnings going back to the 1950s, this Liverpool group evolved through the Merseybeat era into being known as The Kirkbys. This complete collection of sought after material includes highly collectable singles. Several tracks featured have been before been reissued & 17 are previously unreleased. For all fans of beat, pop psych, & classic English 60s music.
With beginnings going back to the 1950s, this Liverpool group evolved through the Merseybeat era into being known as The Kirkbys. This complete collection of sought after material includes highly collectable singles. Several tracks featured have been before been reissued & 17 are previously unreleased. For all fans of beat, pop psych, & classic English 60s music.
₪69.00
Aguaturbia - Psychedelic Drugstore
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This CD is a kind of "anthology" from their 2 original vinyl releases from 1969 and '70, and is an excellent jumping off point for anyone interested in exploring this compelling Chilean band. Both the female vocalist and the lead guitarist had travelled to the San Francisco area (separately) in the late 60's, and upon their return to their homeland, assembled this band in an effort to recreate some of the cool sounds they had discovered up north. Unquestionably one of the leading underground acts in Santiago at the time, they would often exhort their audiences on the virtues of the free-love counterculture movement. And this constantly put them at odds with the oppressive regimes of, first, Montalva, and then Allende, who would harass and threaten them with imprisonment. Surely, they score a few points for being able to produce music of this calibre under these circumstances!
On this collection, highlites include their superlative cover of The Shondells' "Crimson and Clover", jefferson airplane's "somebody to love" and the imaginative and experimental "Evol" (Love backwards, if you hadn't noticed). This band has one of the best rep's in South America psych, and comes highly recommended.
This CD is a kind of "anthology" from their 2 original vinyl releases from 1969 and '70, and is an excellent jumping off point for anyone interested in exploring this compelling Chilean band. Both the female vocalist and the lead guitarist had travelled to the San Francisco area (separately) in the late 60's, and upon their return to their homeland, assembled this band in an effort to recreate some of the cool sounds they had discovered up north. Unquestionably one of the leading underground acts in Santiago at the time, they would often exhort their audiences on the virtues of the free-love counterculture movement. And this constantly put them at odds with the oppressive regimes of, first, Montalva, and then Allende, who would harass and threaten them with imprisonment. Surely, they score a few points for being able to produce music of this calibre under these circumstances!
On this collection, highlites include their superlative cover of The Shondells' "Crimson and Clover", jefferson airplane's "somebody to love" and the imaginative and experimental "Evol" (Love backwards, if you hadn't noticed). This band has one of the best rep's in South America psych, and comes highly recommended.
₪69.00
Allman Brothers Band - Live At The Atlanta Internationl Pop Festival 1970 (2cd Set)
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The 1970 Atlanta International Pop Festival was one of the first big rock festivals of the decade, beating out the Isleof Wight by over a month. It was also home turf for the Allman Brothers, who were invited to play the opening and closing sets of the three-day event. In retrospect, it's interesting to note how--despite their penchant for extended jams--the Allmans were somewhat at odds with the flower-child ethicof the day; after the MC delivers a classic hippie/stoner intro, the tough, raw opening strains of "Statesboro Blues" come off as delightfully incongruous. Nevertheless, the band's improvisational blues-rock majesty made them a crowd-pleaser. It's easy to see why; the level of energy (and musicianship) here equals, if not surpasses their legendary live Fillmore East recordings from the following year, which showcasemuch of the same material.
Dickey Betts and Duane Allman's guitars play ably against Greg Allman's thick organ voicings and the percolating polyrhythms of drummers Butch Trucksand J. Johnny Johnson. Between-song announcements of a raindelay and the opening of the gates to non-paying fans reinforce the Woodstock-era vibe, making this two-disc set effective as both a musical and historical document.
The 1970 Atlanta International Pop Festival was one of the first big rock festivals of the decade, beating out the Isleof Wight by over a month. It was also home turf for the Allman Brothers, who were invited to play the opening and closing sets of the three-day event. In retrospect, it's interesting to note how--despite their penchant for extended jams--the Allmans were somewhat at odds with the flower-child ethicof the day; after the MC delivers a classic hippie/stoner intro, the tough, raw opening strains of "Statesboro Blues" come off as delightfully incongruous. Nevertheless, the band's improvisational blues-rock majesty made them a crowd-pleaser. It's easy to see why; the level of energy (and musicianship) here equals, if not surpasses their legendary live Fillmore East recordings from the following year, which showcasemuch of the same material.
Dickey Betts and Duane Allman's guitars play ably against Greg Allman's thick organ voicings and the percolating polyrhythms of drummers Butch Trucksand J. Johnny Johnson. Between-song announcements of a raindelay and the opening of the gates to non-paying fans reinforce the Woodstock-era vibe, making this two-disc set effective as both a musical and historical document.
₪89.00
Andwellas Dream - Love And Poetry (remastered In 2009 +8 Bonus Tracks!)
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brand new edition of this classic slice of UK psychedelia from 1968 endorsed by original band members and now with improved sound and an expanded booklet. Great soaring guitar work, melodic vocals, orchestration, backwards guitar, bells and bamboo flutes. You can almost smell the incense burning in the studio when this was recorded. Booklet contains brief history of the band and lyrics.
Superb stuff!!.
This CD edition features non-album B Sides & rare bonus tracks as folows: 14. Mrs. Man [45 A-Side][*]
15. Mr. Sunshine [45 A-Side][*]
16. Every Little Minute [45 A-Side][*]
17. Michael FitzHenry [45 B-Side]
18. Take My Road [Alternate Mix][*]
19. Man Without a Name [Alternate Mix][*]
20. Paradise Isle [*]
21. Miles Away from My Baby [*]
brand new edition of this classic slice of UK psychedelia from 1968 endorsed by original band members and now with improved sound and an expanded booklet. Great soaring guitar work, melodic vocals, orchestration, backwards guitar, bells and bamboo flutes. You can almost smell the incense burning in the studio when this was recorded. Booklet contains brief history of the band and lyrics.
Superb stuff!!.
This CD edition features non-album B Sides & rare bonus tracks as folows: 14. Mrs. Man [45 A-Side][*]
15. Mr. Sunshine [45 A-Side][*]
16. Every Little Minute [45 A-Side][*]
17. Michael FitzHenry [45 B-Side]
18. Take My Road [Alternate Mix][*]
19. Man Without a Name [Alternate Mix][*]
20. Paradise Isle [*]
21. Miles Away from My Baby [*]
₪79.00
Animated Egg - Guitar Freakout (2-lp
Wow, O.K., I'll step up and comment on this stunning piece of music. As the story goes, this was a studio project (not really a band.) The album upon its initial release was found in the bargain bins and went unnoticed for the most part. The guitarist featured here is a studio legend by the name of Jerry Cole. If you like fuzzy freaky sixties instrumental psych., then this is for you. It really doesn't get much better than this. Kudos to Sundazed for putting together such a fine collection. The complete album is here plus several additional tracks from various other Jerry Cole projects. I guess what is so striking about this music is that it's instrumental. It's so hip that if you're not careful you may time-warp and find yourself trapped in one of those obscure anti-drug educational films from the 60's/70's. (spaceboy)
The late L.A. session guitar genius Jerry Cole has long been worshipped for his work with everyone from the Beach Boys and the Byrds to Frank Sinatra and Elvis Presley and by surf fans as the leader of the Spacemen. But unbeknownst to many, Cole was also the driving force behind the Animated Egg, a fictitious band whose lone, self-titled 1967 LP is one of the greatest psychedelic exploitation records ever to hit the budget bins of U.S. chain stores-and eventually the want lists of big-spending DJs and collectors.
Comprised of splashy, fuzz-drenched "Now Sound" instrumental groovers, The Animated Egg easily lives up to both the eBay hype and the promise of its evocative track titles: "Sure Listic," "Sock It My Way," "Sippin' and Trippin'," and-yes indeed-"I Said, She Said, Ah Cid." In addition to the rare self-titled LP by the Animated Egg, this collection also includes cuts by other related Cole projects: the Projection Company, the Generation Gap, T. Swift & the Electric Bag, and the Stone Canyon Rock Group. Sourced from the original analog masters, Sundazed's glorious CD and high-definition double-LP vinyl editions of this hallowed prize are a must for turntablists and brain-trippers alike.
Wow, O.K., I'll step up and comment on this stunning piece of music. As the story goes, this was a studio project (not really a band.) The album upon its initial release was found in the bargain bins and went unnoticed for the most part. The guitarist featured here is a studio legend by the name of Jerry Cole. If you like fuzzy freaky sixties instrumental psych., then this is for you. It really doesn't get much better than this. Kudos to Sundazed for putting together such a fine collection. The complete album is here plus several additional tracks from various other Jerry Cole projects. I guess what is so striking about this music is that it's instrumental. It's so hip that if you're not careful you may time-warp and find yourself trapped in one of those obscure anti-drug educational films from the 60's/70's. (spaceboy)
The late L.A. session guitar genius Jerry Cole has long been worshipped for his work with everyone from the Beach Boys and the Byrds to Frank Sinatra and Elvis Presley and by surf fans as the leader of the Spacemen. But unbeknownst to many, Cole was also the driving force behind the Animated Egg, a fictitious band whose lone, self-titled 1967 LP is one of the greatest psychedelic exploitation records ever to hit the budget bins of U.S. chain stores-and eventually the want lists of big-spending DJs and collectors.
Comprised of splashy, fuzz-drenched "Now Sound" instrumental groovers, The Animated Egg easily lives up to both the eBay hype and the promise of its evocative track titles: "Sure Listic," "Sock It My Way," "Sippin' and Trippin'," and-yes indeed-"I Said, She Said, Ah Cid." In addition to the rare self-titled LP by the Animated Egg, this collection also includes cuts by other related Cole projects: the Projection Company, the Generation Gap, T. Swift & the Electric Bag, and the Stone Canyon Rock Group. Sourced from the original analog masters, Sundazed's glorious CD and high-definition double-LP vinyl editions of this hallowed prize are a must for turntablists and brain-trippers alike.
₪169.00
Appletree Theatre - Playback (remastered 1968 Album)
the first CD release of one of the most enigmatic Pop albums of the '60s: Playback by The Appletree Theatre. The project was set up by brothers Terry and John Boylan. Essentially a loosely-woven concept album, divided into three acts. It's an inventive Pop album with great songs, strange sound effects, comedy bits and trippy dialogue comprising a collage of interlaced vocal narratives, sound effects, and song fragments, recalling the Golden Age of radio, and prefiguring the antics of The Firesign Theatre, along with top quality Pop songs such as 'Hightower Square' and 'I Wonder If Louise Is Home', with its distorted megaphone vocals and soaring horns. Some of the tracks suggest the boys may have indulged in too many Psychedelic drugs. It's not for us to say.
the first CD release of one of the most enigmatic Pop albums of the '60s: Playback by The Appletree Theatre. The project was set up by brothers Terry and John Boylan. Essentially a loosely-woven concept album, divided into three acts. It's an inventive Pop album with great songs, strange sound effects, comedy bits and trippy dialogue comprising a collage of interlaced vocal narratives, sound effects, and song fragments, recalling the Golden Age of radio, and prefiguring the antics of The Firesign Theatre, along with top quality Pop songs such as 'Hightower Square' and 'I Wonder If Louise Is Home', with its distorted megaphone vocals and soaring horns. Some of the tracks suggest the boys may have indulged in too many Psychedelic drugs. It's not for us to say.
₪69.00
Armageddon - The Maze
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The advent of ear-splitting, cortex-skewering bands like the Maze really did signal the end of the sixties. But just like that ultimate orgasmic blast during the finale of a great fireworks show, what a perfect way to go. A glittering psychedelic diamond presented here in it?s previously unheard original MONO mix!.
The advent of ear-splitting, cortex-skewering bands like the Maze really did signal the end of the sixties. But just like that ultimate orgasmic blast during the finale of a great fireworks show, what a perfect way to go. A glittering psychedelic diamond presented here in it?s previously unheard original MONO mix!.
₪99.00
Ars Nova - Ars Nova (remastered 1968 Album)
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Zig-zagging through a debut album of brass laced avant-rock originals like " General Clover Ends A War"-an an eye opening cover of Richard Strauss's "Zarathustra"-Ars Nova was anything but three chords and a cloud of dust. The brainy NYC combo, led by Wyatt Day and Jon Pierson, scored its first gig of note in 1968, opening for the Doors at the Fillmore East. The group's album got rave notices everywhere-and Ars Nova has since become one of art-rock's undiscovered treasures.
1. Pavan For My Lady
2. General Clover Ends A War
3. And How Am I To Know
4. Album In Your Mind
5. Zarathustra
6. Fields Of People
7. Automatic Love
8. I Wrapped Her In Ribbons
9. Song To The City
10. March Of The Mad Duke's Circus
Ars Nova includes: Wyatt Day, Jon Pierson. Ars Nova (Art Rock): Wyatt Day (vocals, guitar, piano, organ); Jonathan Raskin (vocals, guitar, bass guitar); Bill Folwell (vocals, trumpet, bass guitar); Jon Pierson (vocals, bass trombone); Giovanni Papalia (guitar); Maury Barker (organ, percussion).
Zig-zagging through a debut album of brass laced avant-rock originals like " General Clover Ends A War"-an an eye opening cover of Richard Strauss's "Zarathustra"-Ars Nova was anything but three chords and a cloud of dust. The brainy NYC combo, led by Wyatt Day and Jon Pierson, scored its first gig of note in 1968, opening for the Doors at the Fillmore East. The group's album got rave notices everywhere-and Ars Nova has since become one of art-rock's undiscovered treasures.
1. Pavan For My Lady
2. General Clover Ends A War
3. And How Am I To Know
4. Album In Your Mind
5. Zarathustra
6. Fields Of People
7. Automatic Love
8. I Wrapped Her In Ribbons
9. Song To The City
10. March Of The Mad Duke's Circus
Ars Nova includes: Wyatt Day, Jon Pierson. Ars Nova (Art Rock): Wyatt Day (vocals, guitar, piano, organ); Jonathan Raskin (vocals, guitar, bass guitar); Bill Folwell (vocals, trumpet, bass guitar); Jon Pierson (vocals, bass trombone); Giovanni Papalia (guitar); Maury Barker (organ, percussion).
₪75.00
Arthur Brown - Fire! - The Story Of Arthur Brown
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Fire! - The Story Of Arthur Brown. 2003 compilation marks the 35th anniversary of his #1 psychedelic hit 'Fire' (included here twice, Stereo Version & Die Krupps Remix). The first ever anthology of tracks from throughout his illustrious career. Includes rare 1965 flexi & previously unavailable 60s soundtrack material. Includes fold-out sleeve with extensive liner notes, many photos & other memorabilia. 36 tracks with a slipcase. Castle.
1. Prelude Nightmare
2. You Dont Know
3. Dont Tell Me
4. Baby You Know What Youre Doing
5. The Green Ball
6. Devils Grip
7. Give Him A Flower
8. Rest Cure
9. Fanfare Fire Poem (Mono Version)
10. Fire (Stereo Version)
11. I Put A Spell On You
12. Child Of My Kingdom
13. The Lord Doesnt Want You
14. Eternal Messenger
15. Night Of The Pigs
16. Sunrise
17. Creep Creation
18. Love Is (The Spirit That Will Never Die)
19. Time Captives (Alt Take)
20. Spirit Of Joy
21. Gypsy
22. The Lord Will Find A Way
23. Eyesight To The Blind
24. The Gremlin (The Song Of)
25. Universal Zoo
26. The Lord Is My Saviour
27. Tight Rope
28. Speaknotech
29. The Fire Ant Said To The Cockroach
30. Lord Of The Dance
31. Hound Dog
32. Let A Little Sunshine (Into Your Life)
33. Heartaches
34. A Hard Rains A Gonna Fall
35. Silver Machine
36. Fire (Die Drupps Remix)
Fire! - The Story Of Arthur Brown. 2003 compilation marks the 35th anniversary of his #1 psychedelic hit 'Fire' (included here twice, Stereo Version & Die Krupps Remix). The first ever anthology of tracks from throughout his illustrious career. Includes rare 1965 flexi & previously unavailable 60s soundtrack material. Includes fold-out sleeve with extensive liner notes, many photos & other memorabilia. 36 tracks with a slipcase. Castle.
1. Prelude Nightmare
2. You Dont Know
3. Dont Tell Me
4. Baby You Know What Youre Doing
5. The Green Ball
6. Devils Grip
7. Give Him A Flower
8. Rest Cure
9. Fanfare Fire Poem (Mono Version)
10. Fire (Stereo Version)
11. I Put A Spell On You
12. Child Of My Kingdom
13. The Lord Doesnt Want You
14. Eternal Messenger
15. Night Of The Pigs
16. Sunrise
17. Creep Creation
18. Love Is (The Spirit That Will Never Die)
19. Time Captives (Alt Take)
20. Spirit Of Joy
21. Gypsy
22. The Lord Will Find A Way
23. Eyesight To The Blind
24. The Gremlin (The Song Of)
25. Universal Zoo
26. The Lord Is My Saviour
27. Tight Rope
28. Speaknotech
29. The Fire Ant Said To The Cockroach
30. Lord Of The Dance
31. Hound Dog
32. Let A Little Sunshine (Into Your Life)
33. Heartaches
34. A Hard Rains A Gonna Fall
35. Silver Machine
36. Fire (Die Drupps Remix)
₪99.00
Arthur Brown's Kingdom Come - Galactic Zoo Dossier (remastered & Expanded With Bonus Cuts)
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Digitally remastered and expanded edition of this 1971 album including bonus tracks. Issued on Polydor, the album launched the Space Rock band, gaining instant notoriety. Touching on the musical territory of fellow travelers Hawkwind, Galactic Zoo Dossier was a masterwork and is now rightly regarded as a classic. This newly remastered edition includes bonus tracks of three alternate versions of 'Metal Monster', 'Space Plucks' and 'Sunrise', together with both tracks from a BBC Radio One John Peel session from March 1971. 19 tracks. Esoteric. 2010.
Digitally remastered and expanded edition of this 1971 album including bonus tracks. Issued on Polydor, the album launched the Space Rock band, gaining instant notoriety. Touching on the musical territory of fellow travelers Hawkwind, Galactic Zoo Dossier was a masterwork and is now rightly regarded as a classic. This newly remastered edition includes bonus tracks of three alternate versions of 'Metal Monster', 'Space Plucks' and 'Sunrise', together with both tracks from a BBC Radio One John Peel session from March 1971. 19 tracks. Esoteric. 2010.
₪79.00
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B.b Blunder - Workers Playtime (2-cd Set)
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This is the fullest-ever edition of the post-Blossom Toes classic Workers' Playtime from B.B. Blunder, including an extra CD of bonus tracks. Following a nasty car crash en route home from a gig in December 1969, UK psych heroes Blossom Toes decided to split. Having backed Julie Driscoll at a handful of gigs in early 1970, guitar wizard "Little" Brian Godding and ace bassist "Big" Brian Belshaw decided to keep playing together, and added former bandmate Kevin Westlake to form B.B. Blunder. Described as "psycho-rock" in the contemporary press, the remarkable album they made over the ensuing months is presented here in its fullest-ever version, including a full bonus disc of previously-unreleased out-takes, guest appearances by Driscoll, Mick Taylor, Brian Auger and others, and a packed booklet featuring detailed historical notes, rare photos and an introduction from Godding himself.
This is the fullest-ever edition of the post-Blossom Toes classic Workers' Playtime from B.B. Blunder, including an extra CD of bonus tracks. Following a nasty car crash en route home from a gig in December 1969, UK psych heroes Blossom Toes decided to split. Having backed Julie Driscoll at a handful of gigs in early 1970, guitar wizard "Little" Brian Godding and ace bassist "Big" Brian Belshaw decided to keep playing together, and added former bandmate Kevin Westlake to form B.B. Blunder. Described as "psycho-rock" in the contemporary press, the remarkable album they made over the ensuing months is presented here in its fullest-ever version, including a full bonus disc of previously-unreleased out-takes, guest appearances by Driscoll, Mick Taylor, Brian Auger and others, and a packed booklet featuring detailed historical notes, rare photos and an introduction from Godding himself.
₪99.00
Backnee Horn - Backnee Horn
Four musicians united in one group, thinking, creating, playing & streaming together, to create imaginative, space-universe-galactic & sometimes human music. It is based on the never-told stories & the most hidden colors & pulses of mind, that come to life in the band's special way of working & comunicating in the studio with their musical instruments.
Band Members Rudi J. - Drums, Vocals.
Shimon Afriat - Bass Guitars, keys.
Yevgeny Kushnir - Electric/Classical Guitars.
Zohar Cohen - Mellotron.
Four musicians united in one group, thinking, creating, playing & streaming together, to create imaginative, space-universe-galactic & sometimes human music. It is based on the never-told stories & the most hidden colors & pulses of mind, that come to life in the band's special way of working & comunicating in the studio with their musical instruments.
Band Members Rudi J. - Drums, Vocals.
Shimon Afriat - Bass Guitars, keys.
Yevgeny Kushnir - Electric/Classical Guitars.
Zohar Cohen - Mellotron.
₪49.00
Backnee Horn - Backnee Horn I I (2-cd Set)
Backnee Horn was established in 2006. Band members were, Rudi J on drums and vocals, Yevgeny Kushnir on guitars, and Shimon Afriat on bass guitar and keys. Later on, Zohar Cohen joined the band with his mellotrons, and on the middle of 2009 the band released its 1st album - "Backnee Horn". Shimon Afriat moved on to other projects, and the band continued working. Alex Furman joined Backnee Horn on keys and other technological gadgets, and [e]Rogi Niniart, on synthesizers and bass guitar. The 2nd album - "Backnee Horn II", a double vinyl and CD, is due to be released soon, including material more extreme than in the 1st. Yevgeny Kushnir and Zohar Cohen moved on, and the band, Rudi J, [e]Rogi Niniart and Alex Furman, continue working and recording together in their private-analogue-studio, "Head-Lee". Backnee Horn's music manifests extremely boarderless inspirations.
Backnee Horn was established in 2006. Band members were, Rudi J on drums and vocals, Yevgeny Kushnir on guitars, and Shimon Afriat on bass guitar and keys. Later on, Zohar Cohen joined the band with his mellotrons, and on the middle of 2009 the band released its 1st album - "Backnee Horn". Shimon Afriat moved on to other projects, and the band continued working. Alex Furman joined Backnee Horn on keys and other technological gadgets, and [e]Rogi Niniart, on synthesizers and bass guitar. The 2nd album - "Backnee Horn II", a double vinyl and CD, is due to be released soon, including material more extreme than in the 1st. Yevgeny Kushnir and Zohar Cohen moved on, and the band, Rudi J, [e]Rogi Niniart and Alex Furman, continue working and recording together in their private-analogue-studio, "Head-Lee". Backnee Horn's music manifests extremely boarderless inspirations.
₪79.00
Bards - The Moses Lake Recordings (unreleased 1968 Album)
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This Piccadilly LP is garagy pop containing singles and unreleased tracks recorded through 1969. The album was released without the band's knowledge. The Gear Fab title reissues an unreleased 1968 LP, produced by Curt Boettcher and Keith Olsen and is more adventurous with some experimental psych leanings (ron moore, acid archives)
This Piccadilly LP is garagy pop containing singles and unreleased tracks recorded through 1969. The album was released without the band's knowledge. The Gear Fab title reissues an unreleased 1968 LP, produced by Curt Boettcher and Keith Olsen and is more adventurous with some experimental psych leanings (ron moore, acid archives)
₪59.00
Bee Gees - 1st
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1. Turn Of The Century
2. Holiday
3. Red Chair, Fade Away
4. One Minute Woman
5. In My Own Time
6. Every Christian Lion Hearted Man Will Show You
7. Craise Finton Kirk Royal Academy Of Arts
8. New York Mining Disaster 1941
9. Cucumber Castle
10. To Love Somebody
11. I Close My Eyes
12. I Can't See Nobody
13. Please Read me
14. Close Another Door
1. Turn Of The Century
2. Holiday
3. Red Chair, Fade Away
4. One Minute Woman
5. In My Own Time
6. Every Christian Lion Hearted Man Will Show You
7. Craise Finton Kirk Royal Academy Of Arts
8. New York Mining Disaster 1941
9. Cucumber Castle
10. To Love Somebody
11. I Close My Eyes
12. I Can't See Nobody
13. Please Read me
14. Close Another Door
₪55.00
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Big Boy Pete - Summerland (1966-1968 Recordings!)
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Recorded in England from 1966 to 1968.
originally determined by major labels of its day to be too weird for public consumption, this 2nd installment from Peter Miller from 1966-68 brings more fractured epiphanies & surreal realms of the counter-culture English Freak Beat scene
Recorded in England from 1966 to 1968.
originally determined by major labels of its day to be too weird for public consumption, this 2nd installment from Peter Miller from 1966-68 brings more fractured epiphanies & surreal realms of the counter-culture English Freak Beat scene
₪59.00
Big Boy Pete - The Margeston Demos
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23 never-before-released tracks recorded from 1966-1968 in his English studio. Big Boy Pete: the perennial
enigma. Check out the lava lamp!!
Though he has not yet become a household name - perhaps because he never spent time in an asylum, homeless shelter, or halfway house and because he actively continued to make and promote his music - Pete Miller's body of work deserves the same sort of devoted coterie of enthusiasts as other great eccentric acid mavericks like Syd Barrett, Roky Erickson, and Skip Spence. The Margetson Demos is still more evidence of Big Boy Pete's incomparable, fascinatingly bizarre vision. And his was no cheeky "Lucy in the Sky with Diamonds" punnery but the real "L.S.D." deal. The compilation features just what the title says: 23 unpolished demo recordings made by Miller alone at his home studio on Margetson Avenue on the outskirts of Norwich between the Technicolor years of 1966 and 1968, and released here for the first time. Miller himself confesses that many of these songs, to say nothing of the rough-hewn recordings and performances, are unfinished. Still, some of them are raw, inspired pop-psych lunacy of the best sort, including an inspired one-two-three commencement: "Nothingness Minus the Fun," "Baby, Get Some of That," and "Silhouette," the last with the opening riff of the Turtles' "Happy Together" apparently dancing in its head. The awesomely creepy "My Love Is Like a Spaceship," which eventually found its way onto the flip side of the classic "Cold Turkey," is here in its primitive form, and "The Painter" and "Charactor Actors" are also magnificent, even as half doses. It's not surprising that the songs strongest on tune are the most successful in this stripped-down state, while the ones heavier on mood - dirges, drones, and soundscapes that would undoubtedly blossom with fuller, more sympathetic productions - are less so. Even the lesser demos, though, retain the distinctive, unmistakable Big Boy Pete stamp. In his liner notes, Miller suggests that an enterprising artist might be interested in taking a crack at completing one or more of these tunes. It would need to be a remarkable artist.
1) Nothingness Minus The Fun 2) Baby, Get Some Of That 3) Silhouette 4) Cell Soliloquy 5) My Love Is Like A Spaceship 6) Little Men 7) Penthouse 8) If Flowers Please Your Hair 9) Invalid Of Love 10) Funny World 11) Henry Nut (Pt 2) 12) Sitting In The Sun 13) The Painter 14) Boogalo 15) Watch Your Step 16) Charactor Actors 17) Flowers Cry Too 18) Love Is Proud 19) For Love Of Thee 20) Who In The Heck Do You Think You Are? 21) It's Over 22) The Sound Of Automation 23) L.S.D.
23 never-before-released tracks recorded from 1966-1968 in his English studio. Big Boy Pete: the perennial
enigma. Check out the lava lamp!!
Though he has not yet become a household name - perhaps because he never spent time in an asylum, homeless shelter, or halfway house and because he actively continued to make and promote his music - Pete Miller's body of work deserves the same sort of devoted coterie of enthusiasts as other great eccentric acid mavericks like Syd Barrett, Roky Erickson, and Skip Spence. The Margetson Demos is still more evidence of Big Boy Pete's incomparable, fascinatingly bizarre vision. And his was no cheeky "Lucy in the Sky with Diamonds" punnery but the real "L.S.D." deal. The compilation features just what the title says: 23 unpolished demo recordings made by Miller alone at his home studio on Margetson Avenue on the outskirts of Norwich between the Technicolor years of 1966 and 1968, and released here for the first time. Miller himself confesses that many of these songs, to say nothing of the rough-hewn recordings and performances, are unfinished. Still, some of them are raw, inspired pop-psych lunacy of the best sort, including an inspired one-two-three commencement: "Nothingness Minus the Fun," "Baby, Get Some of That," and "Silhouette," the last with the opening riff of the Turtles' "Happy Together" apparently dancing in its head. The awesomely creepy "My Love Is Like a Spaceship," which eventually found its way onto the flip side of the classic "Cold Turkey," is here in its primitive form, and "The Painter" and "Charactor Actors" are also magnificent, even as half doses. It's not surprising that the songs strongest on tune are the most successful in this stripped-down state, while the ones heavier on mood - dirges, drones, and soundscapes that would undoubtedly blossom with fuller, more sympathetic productions - are less so. Even the lesser demos, though, retain the distinctive, unmistakable Big Boy Pete stamp. In his liner notes, Miller suggests that an enterprising artist might be interested in taking a crack at completing one or more of these tunes. It would need to be a remarkable artist.
1) Nothingness Minus The Fun 2) Baby, Get Some Of That 3) Silhouette 4) Cell Soliloquy 5) My Love Is Like A Spaceship 6) Little Men 7) Penthouse 8) If Flowers Please Your Hair 9) Invalid Of Love 10) Funny World 11) Henry Nut (Pt 2) 12) Sitting In The Sun 13) The Painter 14) Boogalo 15) Watch Your Step 16) Charactor Actors 17) Flowers Cry Too 18) Love Is Proud 19) For Love Of Thee 20) Who In The Heck Do You Think You Are? 21) It's Over 22) The Sound Of Automation 23) L.S.D.
₪69.00
Big Boy Pete - World War 4 - A Symphonic Poem
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Big Boy Pete: WORLD WAR IV is his masterpiece. Created in 1969 by England's King of Freakbeat, this 47 minute Symphonic Poem graphically depicts the final hour of destruction for planet Earth. Having toured extensively with the Beatles, Pete presented WORLD WAR IV to his old mate John Lennon who wanted to release it on Apple Records. Taken from the original master tapes, the piece is coPete Miller spent 12 months writing and recording WORLD WAR IV in his English studio from March 1968 to March 1969.
1. Overture
2. Largo
3. Transience
4. Echelon
5. Quietus
6. Finale
Total Time- 45:44
Big Boy Pete: WORLD WAR IV is his masterpiece. Created in 1969 by England's King of Freakbeat, this 47 minute Symphonic Poem graphically depicts the final hour of destruction for planet Earth. Having toured extensively with the Beatles, Pete presented WORLD WAR IV to his old mate John Lennon who wanted to release it on Apple Records. Taken from the original master tapes, the piece is coPete Miller spent 12 months writing and recording WORLD WAR IV in his English studio from March 1968 to March 1969.
1. Overture
2. Largo
3. Transience
4. Echelon
5. Quietus
6. Finale
Total Time- 45:44
₪79.00