עיון מהיר
Music Generes
Information
 

Country / Cajun

ראשי :: Country / Cajun



Barefoot Jerry - Keys To The Country/ Barefootin' (2 Albums On 1 Cd) Barefoot Jerry - Keys To The Country/ Barefootin' (2 Albums On 1 Cd) Digitally remastered edition of the final two albums from the popular country band on this single CD, using the original master tapes. Barefoot Jerry released several acclaimed albums between 1971 & 1977, all featured an ever-changing line-up of top Nashville musicians. Guitarist Wayne Moss remained the one constant member, (having previously played with Brenda Lee's backing band in the early '60s and later on Bob Dylan's "Blonde on Blonde"). Moss formed Barefoot Jerry in 1971 with two other former members of Area Code 615 - vocalist/guitarist Mac Gayden and drummer Kenny Buttrey plus keyboard player John Harris. By the time of their 1976 LP, "Keys To The Country", Wayne Moss had assembled a new lineup of the band, which included bassist Terry Bearmore, guitarist Jim Colvard, keyboardist Warren Hartman and special guest Charlie McCoy. The same line-up (without McCoy) recorded the band's final album, "Barefootin", the following year. 1. Battle Of New Orleans, The   2. Summit Ridge Drive   3. Woes Of The Road   4. Wilma Lou   5. Appalachian Fever   6. You Can't Say It All   7. Tonite's The Nite I Do   8. Georgia On My Mind   9. Uncle Pen   10. My God (Is Alright With Me)   11. Barefootin'   12. I Ain't Gettin' No Touchin'   13. Keep On Funkin'   14. Sentimental Man   15. Dixie Dancer   16. Hiroshima Hole   17. Diana   18. Tokin' Ticket   19. Headin' For The Hills   20. Highland Grass
₪115.00
Chet Atkins - Electric Guitars Chet Atkins - Electric Guitars Chet Atkins played a major role in creating what came to be known as 'The Nashville sound'. Through his smooth and eclectic jazzy guitar playing and ambitious production ideas he brought a hitherto unknown sophistication to country music that would see it break through into the mainstream during the sixties and seventies. As a guitarist (compared by many with Django Reinhardt and Andres Segovia) he sold 35 million records and directly influenced talents as diverse as George Harrison and Paul McCartney, Duane Eddy, Eddie Cochran, Eric Clapton, The Ventures, Mark Knopfler and even Ted Nugent. He played guitar on Elvis Presley's breakthrough single 'Heartbreak Hotel' (which he also arranged), on Hank Williams' 'Jambalaya' and on the Everly Brothers hits 'Wake Up, Little Susie' and 'Bye Bye Love.' He produced sessions for Elvis Presley, Roy Orbison, Jim Reeves and for the Everly Brothers. As head of A & R at RCA he discovered Waylon Jennings, and Charley Pride. He was dubbed 'The King of Music Row' a reference to the Nashville strip where the record labels were based. 'Eclectic guitar' showcases Chet Atkins' incredible virtuosity and versatility and his extraordinary taste. Here jazz standards such as 'Honeysuckle Rose' and Tenderly sit comfortably alongside his first big pop hit 'Mr Sandman,' classical repertoire such as 'Minute Waltz' and beautifully played country and rock tunes 'Alice Blue Gown' and 'St Louis Blues'. The overall effect is quite wonderful. 1. Sunrise Serenade 2:49    2. Honeysuckle Rose 2:43    3. Caravan 3:30    4. Mister Sandman 2:20    5. Tenderly 3:27    6. Minute Waltz 1:49    7. Intermezzo 2:35    8. Minuet-From French Harpsicord Suite, Prelude From Six Short Preludes 2:32    9. Little Rock Getaway 2:21 10. Ochi Chomya (Dark Eyes) 2:48 11. La Golodrina (The Swallow) 2:50 12. Indian Love Call 3:08 13. St Louis Blues 3:03 14. Alice Blue Gown 2:24 15. Malaguena 2:49 16. Gavotte in D 1:45 17. Waltz in A-Flat 1:52 18. Adelita 1:41 19. Petite Waltz 2:52 20. Liza
₪69.00
Douglas Dillard - The Banjo Album (remastered 1969 Album) Douglas Dillard - The Banjo Album (remastered 1969 Album) The Banjo Album is first and foremost an album of traditional bluegrass played by musicians firmly rooted in the work of pioneers like Flatt & Scruggs, the Stanley Brothers, and Bill Monroe. These same musicians, however, are all top-notch, second-generation players influenced by the rock scene. Consequently, Doug Dillard and crew manage to breathe genuine new life into many standards without sacrificing the integrity of the originals. In fact, the musicians not only play ferociously, but often completely reinterpret the old chestnuts, occasionally making them sound even better. In many cases, Dillard employs droning harmonic tonalities characteristic of Indian music and Indian-influenced psychedelic rock guitar. The record also features atypical bluegrass instruments such as harpsichord, harmonica, drums, dembek, and tablas. Rather than coming off as gimmicky, though, the use of exotic instrumentation serves to add exciting new textures and moods to music which, during this pre-"newgrass" period, rarely deviated from very strict stylistic guidelines. Plus, nearly every performance here is simply an all-out jam, with Dillard playing particularly explosively. Special mention should be made of his fantastic version of "Clinch Mountain Backstep," which shows a confidence, boldness, and energy that rivals even the definitive version by Clarence White's Kentucky Colonels. 1. Train 4500   2. Turkey Knob   3. Hard Times   4. Home Sweet Home   5. Foggy Mountain Breakdown   6. Jamboree   7. Clinch Mountain Backstep   8. Bully Of The Town   9. Bells Of St Mary's   10. Banjolina   11. With Care From Someone   12. Runaway Country
₪69.00
Johnny Cash - At San Quentin (high Definition Vinyl Lp) Johnny Cash - At San Quentin (high Definition Vinyl Lp) Johnny Cash's five-decade musical career was loaded with bigger-than-life landmark moments. None were more memorable than the Man in Black's historic concerts at Folsom Prison and San Quentin State Prison, and the beloved albums that documented those shows. Cash's passion for prison reform and rehabilitation inspired him to perform a series of concerts for inmate audiences, and two of these unique events were documented on Johnny Cash at Folsom Prison and Johnny Cash at San Quentin. These albums, originally released in 1968 and 1969 respectively, remain among Cash's best-selling and best-loved recordings. At the time of their original release, they revitalized his career, and played a crucial role in his crossover from the country music world to the mainstream pop charts. Perhaps even more so than its predecessor At Folsom Prison, Johnny Cash at San Quentin captures Cash at his most raw and uninhibited. The artist's raucous rapport with his captive audience is obvious on an inspired mix of Cash classics ("I Walk the Line," "Folsom Prison Blues"), jailhouse ballads ("Starkville City Jail," "San Quentin"), traditional tunes ("Wreck of the Old 97," "There'll Be Peace in the Valley") and well-chosen covers (Bob Dylan's "Wanted Man," the Lovin' Spoonful's "Darling Companion"). The album's most popular track, though, remains the Shel Silverstein-penned novelty number "A Boy Named Sue," which became the biggest hit single of Cash's career. This timeless example of Johnny Cash's individuality and artistry is pressed on high-quality high-definition vinyl and has been mastered from the original stereo tapes with exact reproduction of the album's iconic original cover art. Features: · Pressed on High-Definition Vinyl · Mastered from original Columbia Records tapes Selections: 1. Wanted Man 2. Wreck Of the Old 97 3. I Walk The Line 4. Darling Companion 5. Starkville City Jail 6. San Quentin 7. San Quentin 8. A Boy Named Sue 9. Peace In the Valley 10. Folsom Prison Blues
₪99.00
Johnny Cash - Live From Austin Tx (dvd) Johnny Cash - Live From Austin Tx (dvd) Johnny Cash was a consummate professional during good times and bad, and this complete, uncut 50-minute set from the long-running PBS concert series Austin City Limits shows the Man in Black in fine form, recorded at a time (January 3, 1987) when his career was in a state of uneasy transition. Despite the success of his 1985 album Highwayman, Cash had been dropped by Columbia, his label of 28 years, and one can sense a hint of weariness in this otherwise-fine performance. As evident by the warm, enthusiastic audience, this eclectic gig also hints at the personal and professional revival that Cash would enjoy in his later years with producer Rick Rubin. Like many of Cash's typical tour gigs, this one opens to the familiar strains of "Ring of Fire," and includes a handful of hits ("Folsom Prison Blues," "I Walk the Line," "Long Black Veil") along with a few rarities thrown in for good measure. Recommended to Johnny by Kris Kristofferson, a cover of John Prine's heartbreaking song "Sam Stone"--about the travails of a heroin-addicted Vietnam veteran--proves to be a perfect fit for Johnny (and a personal favorite), although Johnny (ever the devout Christian) changes the lyric "Jesus Christ died for nothin', I suppose" to "Daddy must have suffered a lot back then, I suppose," while retaining the song's sad, tragic tone. Cash then follows with a crowd-pleasing rendition of "(Ghost) Riders in the Sky," and his devoted wife, June Carter Cash, joins Johnny on "Where Did We Go Right?," a song by David Loggins (newly recorded at the time) that serves as a fitting tribute to the Cashes' long-term marriage. Johnny Cash considered this to be one of his finest TV performances, and considering this DVD's superior sound quality, recorded in an intimate setting, who are we to argue? --Jeff Shannon
₪99.00
Johnny Cash - Original Album Classics (5cd Box Set W/bonus Tracks) Johnny Cash - Original Album Classics (5cd Box Set W/bonus Tracks) 5 excellent albums from the man in black in one superb value fo money set. The albums are: 1.The Fabulous Johnny Cash 2.Hymns of Johnny cash 3. Songs of our soil 4.Ride This Train 5. Orange Blossom Special Disc: 1   1. Run Softly, Blue River 2. Frankie's Man, Johnny   3. That's All Over 4. Troubadour 5. One More Ride   6. That's Enough 7. I Still Miss Someone   8. Don't Take Your Guns to Town 9. I'd Rather Die Young 10. Pickin' Time 11. Shepherd of My Heart 12. Suppertime 13. Oh, What a Dream [*] 14. Mama's Baby [*] 15. Fool's Hall of Fame [*]   16. I'll Remember You 17. Cold Shoulder [*]   18. Walkin' the Blues [*]   Disc: 2   1. It Was Jesus 2. I Saw a Man 3. Are All the Children In 4. Old Account 5. Lead Me Gently Home 6. Swing Low, Sweet Chariot 7. Snow in His Hair 8. Lead Me Father 9. I Call Him 10. These Things Shall Pass 11. He'll Be a Friend 12. God Will 13. It Was Jesus [*]   Disc: 3   1. Drink to Me   2. Five Feet High and Rising   3. Man on the Hill   4. Hank and Joe and Me   5. Clementine   6. Great Speckled Bird   7. I Want to Go Home   8. Caretaker   9. Old Apache Squaw   10. Don't Step on Mother's Roses 11. My Grandfather's Clock [Instrumental] 12. It Could Be You (Instead of Him)   13. I Got Stripes [*]   14. You Dreamer You [*]   Disc: 4   1. Loading Coal   2. Slow Rider   3. Lumberjack 4. Dorraine of Ponchartrain   5. Going to Memphis   6. When Papa Played the Dobro   7. Boss Jack 8. Old Doc Brown   9. Fable of Willie Brown [*]   10. Second Honeymoon [*]   11. Ballad of the Harp Weaver [*]   12. Smiling Bill McCall [*] Disc: 5   1. Orange Blossom Special 2. Long Black Veil 3. It Ain't Me Babe   4. Wall   5. Don't Think Twice, It's All Right 6. You Wild Colorado 7. Mama, You've Been on My Mind   8. When It's Springtime in Alaska (It's Forty Below) 9. All of God's Children Ain't Free   10. Danny Boy   11. Wildwood Flower 12. Amen   13. Engine 143 [*]   14. (I'm Proud) The Baby Is Mine [*]   15. Mama, You've Been on My Mind [*]
₪109.00
Johnny Cash - Pa Osteraker (remastered 35th Anniversary Edition) Johnny Cash - Pa Osteraker (remastered 35th Anniversary Edition) Johnny Cash was a passionate man but the country star was particularly interested with the downtrodden. Prisoners. Though playing shows in prisons was not unusual to Johnny (San Quentin, Folsom State Prison) - he had never performed at a prison outside the U.S.A. when he took the stage at 1:10 p.m. on October 3, 1972 at ?ster?ker Prison north of Stockholm, Sweden. He opened with A Boy Named Sue for a fully-seated auditorium & for the next hour plus continued with some of his biggest hits & fan favorites. To commemorate the day, Johnny had learned a few Swedish words: "Thank you my friends, I hope you like our music." Now, finally uncovered after 35 years in the vaults, is Johnny Cash - Live At ?ster?ker Prison. Expanded with new liner notes, remastered with 12 bonus tracks - brought to you by the man who walked the line. 1. I Walk The Line   2. Boy Named Sue, A   3. Sunday Morning Coming Down   4. Osteraker [San Quentin] 5. Me And Bobby McGee   6. Orleans Parish Prison 7. Jacob Green   8. Life Of A Prisoner   9. Prisoners Song, The   10. Folsom Prison Blues   11. City Jail   12. Help Me Make It Through The Night 13. That Silver Haired Daddy Of Mine   14. Invertebraes, The   15. Lookin' Back In Anger 16. I Saw A Man 17. High Heel Sneakers 18. Blue Suede Shoes 19. Dirty Old Egg Sucking Dog   20. Wreck Of The Old 97   21. I Promise You   22. Nobody Cared   23. San Quentin   24. Folsom Prison Blues
₪59.00
Mike Auldridge - Dobro / Blues & Bluegrass (2 Albums From 1972/1974 On 1 Cd) Mike Auldridge - Dobro / Blues & Bluegrass (2 Albums From 1972/1974 On 1 Cd) Recorded in New York, York and at Track Recorders, Washington, D.C. in 1972 & 1974. Includes liner notes by Norman Blake and John Crosby. All tracks have been digitally remastered. 2 LPs on 1 CD: DOBRO (1972)/BLUES & BLUEGRASS (1974). Personnel includes: Mike Auldridge (vocals, guitar, dobro); Linda Rondstadt (vocals); Ben Eldridge (guitar, banjo); John Duffey, Doyle Lawson (guitar, mandolin); David Bromberg, Charlie Waller, John Starling, Ricky Skaggs, Paul Craft, Gerry Mule, Lowell George (guitar); Buck "Josh" Graves (dobro); Vassar Clements (fiddle); Tom Gray, Bill Yates, Steve Burgh, Tom Guidera (bass); Bob Lawrence (drums). This welcome reissue brings together the first two solo albums by Seldom Scene dobro player Mike Auldridge, each of which was groundbreaking in a different way. While "progressive bluegrass" was already a fully established musical convention by 1972, when Dobro was originally issued, instrumental bluegrass arrangements of material like "Greensleeves" and "House of the Rising Sun" were a bit unusual even in the progressive context, and, to be honest, were not quite as successful as his brilliantly flashy rendition of Lester Flatt's "Pickaway" or the weepy country standard "Silver Threads." The second album presented on this reissue, Blues & Bluegrass, is a bit more consistently rewarding. Most of the tracks are Seldom Scene performances in all but name, with the occasional addition of such stellar guests as Vassar Clements, Ricky Skaggs, and David Bromberg. This album veers happily between barnburning bluegrass ("New Camptown Races," "8 More Miles to Louisville") and soulful blues numbers ("Summertime," "Struttin' the Blues"), with occasional detours into sappy pop ("Killing Me Softly") and, believe it or not, surf-bluegrass fusion ("Walk Don't Run"). All of it manages to be lots and lots of fun. Highly recommended. (Rick Anderson) Another winner from dobro master Mike Auldridge, this production must have seemed like a Hollywood blockbuster compared to the average Takoma release, many of them solo guitar efforts. Even on its own terms, this album suffered from the drawbacks of the masterpiece mentality and the carte blanche budget, at least on relative terms. Auldridge again juggles several different ensemble combinations, the challenge being to create an easily flowing and dramatically coherent set of pieces, as he had done so gracefully on the 1972 set simply entitled Dobro. But here, the director has earned a bigger trailer based on the huge success of this previous release. Although instrumentals are once again the main fare, there is more of a shot taken at doing vocal tracks, with several heavy-hitters from the '70s pop ballpark brought in to display their imagined ease with roots material. Eclecticism may keep the listener on the edge of their seat; early on, there is a cover of "Killing Me Softly," not at all bluegrass in delivery, that is every bit as interesting as the '90s version by the Fugees and indeed would make a fine combination for that record in a mash-up. "This Ain't Grass," sounding like an admonition to a crooked dope dealer, is an example of the slick and complex progressive bluegrass instrumentals that are the main course of these projects, allowing space for some brilliant picking as well as a sense that some kind of acoustic hillbilly cousin of electric jazz fusion is hiding in the closet. Many of these arrangements have stood up very well to the test of time, as generally does most music in which the players' minds are seriously engaged. It can be a jolt moving from such material to the Hollywood hokinesss of a Linda Ronstadt vocal or the too-easy silliness of the "Walk Don't Run" cover, but this is one of the problems Auldridge worked so hard to overcome when putting together such ambitious collections of material. Here he moves from spotlighting Mike Auldridge the dobro player to Auldridge the record producer and studio genius, so of course there's a bit of a letdown. He certainly makes a good case for himself choosing material, overlooking the odd dud and coming up with nifty instrumentals from the likes of dobro forefather Tut Taylor and unique country picker Roy Nichols and a fascinating country tune from fine songwriter Dick Curless. (Eugene Chadbourne) -dorbo 1.: Hillbilly Hula 2.: Tennessee Stud 3.: It's over 4.: Pickaway 5.: Rolling Fog 6.: Dobro Island 7.: Train 45 1 / 2 8.: Take Me 9.: Greensleeves 10.: Silver Threads 11.: Rock Bottom 12.: Jamboree 13.: House of the Rising Spring -blues & bluegrass 14.: New Campton Races 15.: Mexican Rose 16.: Killing Me Softly With His Song 17.: This Ain't Grass 18.: 8 More Miles to Louisville 19.: Some of Marcie's Blues 20.: Bottom Dollar 21.: Struttin' the Blues 22.: Panhandle Country 23.: Summertime 24.: Walk Don't Run 25.: Everybody Slides
₪89.00